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impactrueno · 2 days ago

Note

Beetlejuice clearly wasn't interested in Lydia when they met, so when do you think he actually fell for her? Was he so impressed by Lydia defeating him that he developed a little crush?

i think this might be the biggest thing i've been turning around in my head since the sequel dropped. how did bro get to this point. i need to know. you weren't like this where we left off, what happened during that huge time gap????

this is where canon ends and conjecture begins, you just have to theorize and fill in the gaps yourself with whatever makes the most sense to you, which is what i've been trying to do this whole time. so please bear with me here.

i don't know how much i want share or save for my comics because i don't know how much he would actually reveal about this but whatever we ball

edit: ok so i scrolled back up to this after finishing writing this and as it turns out i have no self control and i ended up sharing everything that crossed my mind. craziest stream of consciousness i've ever written down. strap on and keep your limbs inside the ride at all times. whatever. we BALL.

let's review their first encounter from his point of view:

you're hired to scare the deetzes, right? so you do just that. excellently you might add. just when you're about to terrorize their teenage daughter, barbara banishes you and the party is over. what fucking losers right? you get the sense that adam and barbara care about this girl so you make some remark about her and it pisses them off. haha. also whoa where did this place come from? damn adam, who could've guessed he had it in him. you forget about everything else and dance your way to dante's inferno room.

after spending a respectably tasteful evening with those ladies, you're chill now. relaxing under your little sun lamp to work on your tan.

someone walks in looking for adam and barbara. don't they know they're dead?

"are you a ghost too?"

"i'm the ghost with the most, babe."

hold on a sec, who's even—

...well hey. it's the girl.

the girl who can see ghosts, and she's talking to you.

target acquired. this one's your ticket out of this hellhole.

"you look like somebody i can relate to," you tell her. relate how? doesn't matter. you're ensnaring her with your affable demeanor like you always do, make people feel like you're pals with them first and foremost. she seems like a nice girl, so this should be easy. you tell her upfront that you want to get out of there and you need her help to do so.

"i want to get in," she says.

whoa there.

what? she wants to get in? she says that in response to you saying that you wanted out. she really has no idea what it's like on the other side, huh. but shit, that kinda stops you in your tracks a bit. this girl wants to die. this young? that's not right. makes no sense.

"...why?"

she just looks at you and says nothing. jesus. ok maybe it's none of your business so let's back it up. you're losing control of the conversation and you're on a mission here. you figure if she helps you get out, you might as well talk her off that ledge or show her how shitty it is on the other side or somethin'. frankly, you can't afford to care right now. you're not entirely sure why she thinks things would be better on the side you're so desperate to get out of, but alright. doesn't matter, right now you gotta get her to summon you. so you begin your little game of charades.

after she correctly guesses your name and almost says it a third time, she recognizes you as the snake that terrorized her family. god fucking dammit. you're losing her. you're getting impatient. your affable act is over. "nah...i want to talk to barbara," she says and now she's REALLY getting on your nerves because fuck barbara, fuck adam, you're SO CLOSE to getting out and you're not gonna let this go now, go go GO GO SAY IIIIIIITTTTTTT

adam and barbara walk in because of course they do. womp womp

ok well that didn't work, but you're not gonna give up so easily. sooner or later another opportunity will come and soon you will be free.

wait why are they moving the model— where are they taking it—

ooohhhhh. business meeting. get a load of these yuppies, trying to turn winter river into a town-sized Ripley's Believe it or Not. a talking marcel marceau statue? and you thought you were a con man. no wonder the deetz girl wants to die, it's bleak as hell here too. but if you get out...you can fix that. hell, you can fix anything.

these bozos are here to see some ghosts, but the girl says they're not going to show up unless the fleshbags stop making a mockery out of the whole thing and that maybe they can all live happy together in the house. ain't that sweet.

of course no one's taking her seriously. she's a kid, what does she know, right? they'd rather listen to the most obnoxious guy in the room (besides yourself) who has no idea what the fuck he's talking about, but somehow, he's got his hands on the handbook.

the girl panics, then immediately says completely deadpan "wait, what am i even worried about, otho, you can't even change a tire" and you're surprised they didn't hear how hard you cackled at that.

despite all that, they seem to have started a séance with their old wedding clothes. bad news for the maitlands. they're about to be dead-dead. the girl cries for them to stop, and these guys are just sitting there scared shitless. you're hearing everything. you knew a new opportunity would arise, so you wait, because this is the part where people remember how good at your job you are. they always do.

she knows you can help. you're the only one who can help. so here she comes. those wedding clothes give you an idea. plan B is now in motion.

well well well.

look who came crawling back.

she asks for your help, and you're happy to oblige, under one condition of course. after all, you don't do anything for free, and she's the only one who can help you with your problem. how serendipitous.

once again, you lay it on her, straight up. you want out. and a way to do it (thanks adam and barbara for the reminder) is through marriage with a fleshbag. you need to get married. a green card marriage, if you will.

she's immediately disgusted by the idea. you don't take that personally, of course, because it doesn't matter. she's just a kid and it's not a real marriage. she just happens to be unlucky enough to be the only one around who can assist you with this, the poor girl. it's a marriage of convenience—or rather, inconvenience—and you're not planning on sticking around because you will get the hell out of there as soon as you can. so there shouldn't be a problem, right? besides, does she know how many women would kill to be in that position? she gets to brag about it to her friends, what's not to like? it's a totally even deal.

the clock is ticking and the maitlands aren't getting any younger. she agrees to the deal. you win, at last.

she already knows what to do, so you sit there patiently with a shit-eating grin on your face, awaiting the three little B words. gloating.

Beetlejuice........Beetlejuice...........Beetlejuice.

it's showtime.

this is your favorite part. you love a dramatic entrance. you decide to show the deetzes and their greedy friends the circus they so wanted to turn this town into. horrible as you are, you're also pretty damn good at calling out other people's horribleness, and you do love an ironic karmic way of dealing with someone. for example tubby here thinks he can escape, but not before you change his sleek black suit into a tacky white leisure suit. the horror! this is why you're a professional at this.

you effortlessly end the exorcism and the maitlands are saved. a little pruney right now but they'll be fine. everything is taken care of, you have fulfilled your end of the deal like you promised. only one thing left to do.

"shall we?"

there's really no need to make a whole show out of this, but you're a showman first and foremost and as a 𝒥𝓊𝒾𝓁𝓁𝒾𝒶𝓇𝒹 𝒶𝓁𝓊𝓂 you'll be damned if you're not gonna let yourself have a little fun with this. everyone looks terrified. this is why you're a professional at this.

witnesses and reverend in place, you can finally begin the ceremony. you're having fun, yes, but let's try to pick up the pace a bit, okay? the closer you get to your goal, the more impatient you get. the girl isn't finding any of this very funny at all and she protests. the maitlands butt in and are now kind of twisting your arm a bit, but you deal with them harmlessly, until they get on your last nerve so you send adam to the model and barbara to saturn. all of this after you honorably fulfilled your end of the bargain and saved the day. jesus christ, are you the only one with some integrity around here or what.

you forget the stupid ring. shit. you're pretty sure you have it on you somewhere, ever since you chopped up delores into pieces for poisoning you. you kept her ring finger as a trophy and as a reminder to never get married again, and yet here you are, but desperate times call for desperate measures. finally, you find the ring (still on her severed finger) and hastily tell your new bride-to-be that delores meant nothing to you. in case she even cares. she doesn't seem to. not even a chuckle? oh well.

almost done with the ceremony. almost there. you're holding the girl's hand with an iron grip to keep her in place as you're about to put that ring on her finger. "i now pronounce you, man and—"

a tiny car crashes against your foot and it catches on fire. you scream. a fucking sandworm crashes into the room through the ceiling. everyone screams. you scream LOUDER.

you're sent back to the afterlife waiting room.

not your first rodeo with a sandworm, but that doesn't make the experience any less shitty. the real annoying part is being in the waiting room again. this could take ages. you're number 9,998,383,750,000 and they're serving number 3 right now. you trick the guy next to you and steal his ticket (number 4) but he's not too pleased about that, so that didn't work.

a long time sitting here it is, then.

movie ends, credits roll.

for reference, that was 1988. winona ryder was 15 when they were filming in 1987 so while lydia doesn't have a confirmed age, i think we can safely assume that she was the same age as winona at the time.

36 years later, it's 2024. or 34 years later, it's 2022. we don't know the exact year because while bob's in memoriam credits scene says 2024 and all the interviews talk about how 36 years have passed in universe as well, there's this other one tiny detail.

jeremy's death passport says he died on march 11, 1999. jane butterfield says he died "23 years ago," putting the movie in 2022. they did film it in 2022 so the math is mathing correctly there. given that the in memoriam scene was more of a joke and jeremy's passport is a canon prop in the movie, i'd say 2022 is the canon year the movie is set in. (small sidenote; the passport also has the roman numerals DCLXVI which is 666. cute detail i loved it)

in the sequel, beetlejuice says lydia has been ignoring him for 30 years. i always thought that was curious because outside of this claim, they always specify how many years exactly have passed since. he doesn't say 34 or 36, he says 30. and for his degree of obsession (and the fact that he remembers exactly how many times he's watched The Exorcist) i think he would be counting even the days so i think he did really mean 30 years. so this would mean at least 4 years passed between getting sent back to the waiting room and the beginning of his stalking.

AND NOW that we established all that, we are finally getting to the answer to the question, "when and how did this all start?"

so okay, he spent a while in the waiting room. a lot of time to think. probably replaying the events at the deetzes' in his head over and over, how he got here, where he fucked up, what's he gonna do once he gets out. cursing the maitlands for ruining his plan when he was soooo fucking close. wondering what ever happened to lydia deetz.

lydia deetz, the young girl who told him she wanted to die.

...

is she alright?

i don't think he's capable of feeling guilt, but we can probably argue that he's not entirely heartless. what she said about how she wanted to "get in" must've stuck with him from the way he reacted when she dropped that bomb. she never showed up in the waiting room so he knows she didn't follow through with that. still, he used a vulnerable young girl for his own selfish gain. ironically enough, he knows exactly how that feels, because he also got tricked into marriage and got used for someone else's gain. the difference being that he dealt with that shit with an axe.

much much much to think about for mr. juice.

after years of ruminating in that waiting room, he's finally out and back to the regular day to day afterlife. definitely gets chewed out by juno, maybe forced to do community service or labor or what have you, he basically just needs to clean up his act now. this freelancing shit is becoming more trouble than it's worth anyway.

he's still wondering about lydia deetz. should he check in on her? maybe he should, he's too curious now.

at this point, lydia is now about 19-21 and in college. maybe he manages to sneak into the model one time she's back home for the holidays or something. and oh my god would you look at that, what a beautiful young woman she's grown into. she's radiant. she's happy. she's no longer that gloomy suicidal kid he met in the attic. seems like what she said about the deetzes and the maitlands sharing the house did come true after all.

that's nice. very sweet. good to know.

maybe he wonders if she remembers him and tries to get her attention somehow, give her a little scare for old times sake or whatever. for a brief moment it seems like she saw something and her expression changes, but she shrugs it off and continues on chatting with her two sets of parents. no such luck.

oh well. curiosity sated! and beetlejuice goes back home and doesn't return.

until the next time he returns.

and he keeps coming back to check in on her, telling himself he's just making sure that she hasn't killed herself or something. and he's not above admitting that with every year that passes, she keeps getting more beautiful. and to think they almost got married, huh.

he constantly tries to get her to notice him somehow, and sometimes she almost does, but ultimately he never really succeeds beyond making her do a double take. very rarely she does catch a glimpse of him. he's seen her mutter to herself that she's just seeing things and she seems a bit frightened every time this happens, but there's nothing to fear, honey, it's just good ol' beetlejuice. he won't lie, he gets a bit of a rush every time and it makes his dead heart beat faintly. he's gotten this far, he can't just stop now. in his mind, this has become their little private game of cat and mouse, where the mouse ignores the cat. but aren't they cute? he thinks they're cute. this is not creepy at all!

before he realizes, he's already learned everything about her. he knows about richard and even watched their wedding from afar like a loser. he knows she gave birth to a healthy baby girl named astrid. he knows they have a blast on halloween. halloween is lydia's favorite holiday, and his too. sometimes he can't help but see the three of them happy together and think it could've totally been him. even if he and richard are nothing alike (in fact could not be more opposite) and the circumstances of their unholy wedding were nothing short of grim and a farce. but in his mind, he's starting to convince himself otherwise.

maybe it's his jealousy speaking, but lydia doesn't seem to be that happy with richard despite everything. even though richard is like, the perfect guy. then one day his suspicions are proven correct: neither of them knows why it happened, but after having a long and emotional talk (that he watched with a bucket of popcorn) they decide to get a divorce. he pumps his fist, feeling victorious for some reason. sure he's a little sadistic at times, but why is this giving him so much glee?

the divorce is hard on lydia's kid, who was always more attached to her father, but they still spend a lot of time together. sometimes the three of them, since richard and lydia kept things amicable after the divorce. lydia tries to move on and see other people, but each relationship fails before it even starts. mostly because she keeps holding back and so fails to connect with anyone else, but also sometimes because, well, he can't help himself but to scare them away from her from time to time. it's fun. in his mind, he's just being protective of her, as a gentleman should for a lady.

then richard dies. fell into a piranha infested river from the looks of it (he saw him at immigration one day, don't ask what he was doing around there, force of habit after constantly making sure lydia hasn't killed herself yet.) it's devastating for both lydia and astrid, straining their relationship even more for the next few years as they both try to cope with the loss. the shock proves to be too much for lydia, so she goes to a survivors retreat to work through her trauma, both from richard's death and "unresolved feelings."

then lydia, at her most vulnerable, meets rory.

beetlejuice was able to clock him immediately. a textbook manipulative opportunist, he himself knows the tactics very well. swoop in to "help" someone in a vulnerable position, pull the wool over their eyes and begin taking control so you can get what you want out of that person.

he wouldn't admit it, but this really irks beetlejuice. you know when you see someone who reminds you of the worst parts of yourself, so you despise them? yeah. he's been there, and he's also been him.

but rory is somehow even worse than beetlejuice. see, rory is her manager, and boy does he manage to get on his nerves. he takes her phone. he controls what medication she takes. he blames and guilt trips her about every mishap that HE causes, making himself look like her benevolent savior and making her feel like she would be lost without him, confusing her with his psychobabble. on top of all that, he's forcing her to do this hacky show called Ghost House where she "hunts ghosts" or whatever. the houses he's been helping newly-deads with in his day job as a bio-exorcist (now with a fleet of employees,) she's "hunting" those ghosts now. it's so dumb. it never works. beetlejuice doesn't even know what the hell she's doing, she's phoning it in most of the time and she knows she's become a sellout. what happened to that "strange and unusual" girl who stood up for her ghost friends when those suits wanted to profit off of them back in winter river?

he needs to bring that back. he's the only one who can.

in his mind, beetlejuice has already rewritten the events that transpired. in his mind, lydia has been his wife this entire time, it's just, y'know, one of those open long distance relationships and she doesn't always remember him, but that's okay. in his mind, they share a psychic bond that allows her to sense his presence or see him in her dreams from time to time. he's got nothing to be jealous about, because other men can't compare. no one else can match what they have.

sure, part of him knows he's lying to himself a little bit. but he's already clung to this idea; these past 30 years wouldn't make sense otherwise. he's in love with lydia deetz. this isn't insane of him to say at all. and if it is, well, you know what they say, love makes you do batshit crazy things.

it's not that complicated, no matter what they say you'll never meet another me it's not that difficult to get my head around i'll never meet another you

the end

don't trick me into writing a fanfic again

#beetlejuice #beetlejuice beetlejuice #lydia deetz #beetleposting #beetlebabes #<- added for those who would prefer to not see this stuff but i didn't intend this to be a shippy post #spoilers: it's very one sided. but it IS all from his POV so you can kinda expect him to be...him #if you're a shipper who's just checking the tag then uhhh hi! i feel like i'm intruding lmao

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itsafairytalekay · 2 days ago

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𝙈𝙔 𝘽𝘼𝘽𝙔 𝙒𝘼𝙎 𝘾𝙍𝙔𝙄𝙉𝙂?!

Gojo Satoru x reader!

Desc: Gojo comes home to you crying, how does he comfort you? Toji's Kento's

Warnings: none, just fluffff!!

Anon requested💙

He comes home from a long long day sighing while opening the door but he's very excited to see you, his heart is beating fast and he feels ecstatic from within.

"Hey babyyy" He calls out and looks around for you. Bedroom? Not there, living room? Not there, kitchen? Absent. He gets tired and turns to go to the bathroom and sees you coming out- and you're... Crying? 𝘞𝘦𝘳𝘦 𝘤𝘳𝘺𝘪𝘯𝘨

Hmm he doesn't comment on it just pulls out his arms and you sit on his lap he's patting your head and kissing your forehead occasionally.

After some time he asks "why was my baby crying hm? "

"I wasn't"

"Don't lie to me sweets, you signed up the 'telling my strongest boyfriend everything clause for dating satoru gojo'"

"You're so silly" You push his cheeks together with your fingers and his lips form the cutest pout

"Shoo tell me shweetie" He says through your hold.

"My friends went out without me and they forgot I was on their close friends list on Instagram"

He becomes silent for a while and speaks out after "they're shitty friends, how can they leave out my cutie out of their little trip, well all is good because nowww you can spend more time with your handsome boyfriend"

"Who said you're handsome?" You chuckle

He gasps like you hurt him really bad and pretends like he was shot in the heart "owwwww that hurtttt, but I'll forgive you, you can't convince me I'm not drop dead gorgeo-"

You kiss him to shut him up "yes yes I agree you're gorgeous and breath taking"

You snuggle up on him and think how you're so lucky that you have him because even if he isn't perfect at this stuff he really tries for you.

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vxsellie · 13 hours ago

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KINDLY, DARLIN' - 𝐸.𝑊

summary. after seemingly endless days on the road, you find yourself at a random country bar in the middle of nowhere. entering with the sole goal of getting your hands on come kind of alcohol, your attention is soon drawn elsewhere. to a girl and her guitar. notes. ok funny story! this idea came to me from a 5 sec interaction i had with a complete stranger. i went out to a bar, gave ten bucks to the singer, & he said the line that the title is based off of , which the prompted my brain to conjure up an entire love story (he's prob double my age lets be so fr) Also! idk if any of u will like this comparison (if not, just ignore this). but, as i wrote this, i imagined ellie's voice like lucy gray's from the hunger game's. like the slight country drawl, strong vocals, yes yes yes yes Also x2! anyone who follows me should know that im absolute SHITTT at writing smut. but, for some reason, that doesn't seem to stop me from creating works of garbage for my own amusement. anyway, if you reach the smut & realize that it's literal trash, i won't blame u for clicking off of this. just a warning! warnings. brief mention of creepy old men at the bar, depictions of alcohol, public flirting ???, eventual smut, drunk sex in a bathroom LMAO, oral (r! receiving), fingering (r!receiving) wc. 5.1k

𝓕uck your back hurts. Well, if you're being honest, everything hurts. Your neck, back, stomach, legs, hands. Everything that's capable of aching, does.

However, rather unfortunately, you suppose that's to be expected after driving for nigh two days straight in your shitty truck. It's a 90s pickup, the white paint peeling and the tires in desperate need of care. The beige seats are worn and stained, evidence of age having taken its toll on your poor vehicle.

In spite of your truck's needs, you're far more interested in your own ⎯ getting a damn drink.

You're currently coasting through the backroads of some small western town, streets made of dirt and buildings all decrepit. You've never heard of this place before, the name having already slipped your mind due to how utterly foreign it'd been to your mind.

Your headlights cast a yellow glow onto the dirt before you, your tires crunching against fallen leaves and loose rocks. You pass gas stations, wooden homes, dollar stores, an immeasurable amount of churches, and no liquor store. Most shop signs are staked into the dirt, the few billboards all dilapidated in some way ⎯ broken letters, flickering lights, or completely torn from the ground somehow.

Then, by either the grace of God or a wondrous turn of fate, your eyes stutter on a certain sign. A broken wooden one advertising a bar. Your interest is instantly piqued, wheel turning toward the building without hesitation.

You don't give yourself the chance to even think before you're hopping out of your truck and walking into the bar.

The moment you push open the wooden double doors, the sound of boisterous laughter and heavy cowboy boots meet your ears. Perfect.

You stand in place for a moment, craning your neck with narrowed eyes are you examine the atmosphere. To the left, there's a bar with almost every stool occupied by an overweight old man. To the right, there's a pair of barn doors with the word 'restrooms' carved into the wood. In the center of the space, there's bucking machine ⎯ a drunk teenage boy holding on for dear life while his group of friends cackle at him from the sidelines.

Then, on the side of the building opposite you, there's a small stage. It's only elevated a foot or so, wood rotting a bit on the edges. But you hardly care for the conditions of the stage itself. What you find yourself drawn to is the person on it.

In the center is a stool, an auburn haired woman perched atop it with an old guitar situated on her lap. She strums the instrument in an upbeat tempo, leaned forward slightly as she sings into the microphone before her. There's a small crowd in front of the stage, girls admiring and boys whistling.

Considering how run-down this town is, you hadn't expected to stumble across a bar that's so fucking packed. There's barely any open stools at the bar, the bathroom doors are rarely sitting still as people continue to pass through them, the mechanical bull being gifted coins non-stop. But you can't complain.

After so long alone on the road, it's nice to be in such an active atmosphere. It's not calming, of course, but you welcome it lovingly nonetheless.

Watching the auburn for a few moments longer, you then turn on your heel and saunter over to the bar. You're forced to sit beside someone as the lack of stools forbids you from not having a neighbor.

"What can I get'cha, hon'?" The bartender asks you with a tip of his cowboy hat. In his other hand, he wipes the outside of an octagonal glass cup.

"Got any whiskey?" You inquire, leaning your elbows on the sticky countertop.

"Mhm," He hums, turning around to grab a bottle from the shelves behind the bar. He sets the glass onto the counter with a light clink, popping the bottle open. "'N' how would ya like it?"

"Neat."

He nods once more, pouring the liquid into the glass with a flourish before sliding it across the wood toward you. The moment you grab it, he's turning away to tend to another patron. You drink it quickly, downing the glass in one large swig.

As you place the glass back onto the counter, you feel eyes boring into you. Hoping it's someone of interest to you, you turn only to find a duo of old men chuckling at you. Their cheeks are rosy, bellies full ⎯ therefore likely drunk. You roll your eyes as the bartender refills your glass without a word.

Now with an entirely new bit of determination, you down that glass even faster. Another refill. Another singular gulp. Another refill. Another gulp. Another. Another. Another.

You're now swaying a bit atop your stool, feeling pretty good all things considered. The men continue to gossip among themselves, pointing at your ass. You feel disgusted ⎯ not at yourself, but at them for their fucking audacity. Part of you wants to knock their teeth out. But you're not that drunk.

So, instead, you take the mature approach and simply pick up your glass and exit the scene. As you walk away, you hear their chuckles increase and you suddenly regret not punching them.

Your heavy boots thud against the wooden flooring as you walk aimlessly around the bar. You push through an amass of bodies, everyone too drunk to care for your harsh shoving. Then, before you know it, you find yourself situated in the very front of the stage, glass of whiskey in hand.

The woman's voice is laced with a slight country drawl, her boot tapping against the leg of her stool to count the beats of the song. She nods her head as she sings, a small grin lighting her features.

The dim lighting of the bar doesn't do her justice. But you still manage to notice the freckles that dot her face, the cupids bow to her upper lip, the small scar on her right eyebrow. Or maybe you're just drunk and enamored by her. God, what if she finds you creepy? What if she thinks you're some fucking creep? What if she⎯

She looks at you and you swear your heart gives out right then and there. And, if that weren't enough, she winks. You feel your cheeks heat up and you blame it on the alcohol. You down the rest of your whiskey, suddenly feeling very hot. A light chuckle shakes her chest, ringing throughout the space. Nobody else thinks anything of it, of course, all too drunk and preoccupied to give a shit. But you find yourself fantasizing about all the other ways you could make this woman laugh like that again. Oh fuck you are a creep.

In a desperate attempt to salvage the residual bits of dignity you have left, you pull twenty bucks from your back pocket and step forward to drop it into her open guitar case.

She raises a brow, tipping her cowgirl hat in your direction with a smirk. "Thank ya kindly, darlin'."

Somehow, she'd managed to thank you in tune with the song, keeping the beat going without missing a second. It's almost impressive. Okay, it's super impressive. In fact, you feel your heart speeding up again, mind playing on loop the sound of her addressing you. Her country drawl, her smirk, her long fingers grabbing the bridge of her hat. Fuck.

Impulsively, you end up turning on your heel and heading right back to that damn bar. The bartender just grins as he pours you another serving, likely having noticed the flush to your cheeks and the desperation of which you placed the glass down.

"Mind if I give y' some advice?" He asks, leaning forward a bit.

In an act of self pity, you don't have the energy to deny him. "Why the hell not?"

"I ain't gotta clue who you're blushin' over, but my advice is that." He nods toward something behind you. You cast a glance over your shoulder, eyes landing on the bucking machine. You almost laugh, turning back to him with an unimpressed expression. "Listen, y' ain't gotta be good. Y' jus' gotta move your hips right n' I swear he's all yours. Trust me. I've seen it work hundreds of times."

You don't dare to correct him on the gender of your current infatuation, instead deciding to take a few more drinks for a bit of liquid courage. I mean, seriously. How else will you get this woman's attention? Plus, what do you have to lose? You'll never see her again after tonight. The least you could do is try.

After another few drinks, you're staggering over to the mechanical bull with a few coins clutched tight in the palm of your hand. The wait for the stupid thing is way longer than necessary, everyone competing for the longest time lasted on the machine.

You lean your empty hand on the frame of the wooden fence that encircles the rider, watching with reddened eyes as yet another person is flung onto the ground with a heavy thud. He rubs his head with a groan, though his sounds of pain quickly fade into laughter as he brushes off his jeans and stands upright, returning to his boisterous friends with a crooked grin.

Unease begins to lick up your spine, the logical part of your brain wondering why the fuck you're doing this for some country chick you don't even know the name of. You're strong, sure, but your luck would lead you to breaking your neck.

You look over your shoulder casting a glance in the direction of the bar. The bartender gives you two thumbs up, flashing you a grin with missing teeth. As encouraging as that is, what really pushes you to continue is seeing those two old men. They're sitting side-by-side, lustrous smirks on their face as they stare at you, leaning over every few seconds to mutter something in the other's ear. Yeah. Fuck them. You're doing this.

As you make it to the front of the line, you're overcome with naught but confidence. Whether that be due to the sound of the woman's singing growing nearer or the sight of the gross old men, you don't know. Though, honestly, it's likely because of the sheer amount of whiskey you've downed in the past hour.

"Coins." The blonde woman demands, palm of her hand facing you like a bill you've been avoiding. You place the coins into her hand and she opens the gate, hinges squealing as the prior rider stumbles out with a streak of dirt under her eye.

You walk into the ring, feet staggering a bit already from your drunkenness. You hoist yourself onto the bull, situating yourself until you feel a bit less awkward atop the back of the metal animal.

It begins rocking slowly back and forth. You find it easy at first, not really needing to use your hands. You still do, though, not much trusting the machine to not throw you off the moment you let your guard down. It picks up the speed, more. More. More. More. And, before you know it, it's thrashing back and forth. You hold onto the saddle, a dazed smile spreading across your face as you find yourself having fun.

It spins in a circle, your eyes suddenly catching on the woman on stage. She has the perfect view of you from her pedestal, her stool bringing her higher than the crowd just as the bull brings you.

She's still singing into the mic, her voice drowned out by the sound of chatter and cheers ⎯ though you're not sure if they're directed toward you or her at this point.

You've stayed on longer than you anticipated, the ache in your back returning as the bull yanks and dives under you. But you hold on, suddenly remembering the bartender's advice. You don't want to switch up whatever tactic you accidentally built into habit, but the point of this is to get the woman's attention.

So you wait until it spins back around. Then, while her eyes are pinned to yours, you shift a bit, back moving more fluidly as you roll your hips against it. Nobody else would think anything of it, the act so subtle that you simply appear to have altered your position. But she noticed. You know she did. Because her voice caught in her throat, causing her to have to take a sip from her water and apologize into the mic before resuming.

Your confidence spikes at this, suddenly feeling much more egoistical than you did when she was a complete stranger you made eye contact with once. Now you know you have an effect on her.

So you do it again, maintaining eye contact as you roll your hips against the bull suggestively.

Just as before, nobody else pays any mind, far too focused on the fact that you're stayed on for so long to give a fuck about technique. Honestly, if anyone were to notice, it'd be those creepy old men. And, hopefully, they're aware that it's pointed at this woman and now them. Though you doubt they'd care. Creeps like them rarely do.

The singer, with her eyes now pinned to you ⎯ though, everyone's now are ⎯ switches her tone a bit. Her song alters from an upbeat bar tempo with little meaning to having more directed lyrics to a girl with mesmerizing eyes. Again, nobody else picks up on this. She sings about a random girl with stunning eyes, never digressing past that.

But you know; and she knows. And that's all that matters.

She sings a certain line, something more lustful about the way you look at her. Something suggestive about the way she's imagining you. You instantly falter, your grip slipping.

You fall to the ground with a thud, the entire bar making a sound of disappointment and empathy. You don't care, though, not giving a single damn about the bull riding. All you care for is that fucking singer.

You hit the ground, breath knocked from your lungs. You cough, pushing yourself onto your hands and knees. Your head spins, the alcohol finally catching up to you. Another cough is yanked from your heaving chest as you groan.

The blonde coin-collecting woman allows the next person into the ring, not waiting for you to give your say. As the next man enters, he offers you his hand. You, desperate for assistance, take it with a grateful smile. He hauls you to your feet, muttering quick compliments on your performance on the bull. You thank him before brushing past him and exiting the ring with staggering steps.

A few people from the crowd compliment you, offering words of encouragement for the 'next time you go up'. You give them half-hearted smiles, chest still aching slightly from your fall.

You shove through the crowd, nearing the restrooms you'd seen at the entrance. You push the doors open and head into the women's side.

You brace your hands on the edge of the sink, glancing in the mirror for a brief moment ⎯ examining the small cut on your cheekbone and the bruises that are beginning to form on your shoulder and hip. You then lean down, positioning your mouth under the faucet before turning on the water. You drink it, relishing in the taste of cool liquid rather than burning alcohol.

"Mm, look who it is."

You smack your head on the faucet with how quickly you straighten. You groan, rubbing your temple as you turn to face the person standing behind you. The singer. Well fuck, that makes the head smack twenty times more embarrassing.

Somehow, she's even more alluring up close. Her pale green eyes bore into you, lashes lidding them slightly. Her skin is lightly tanned, freckles likely produced from a life spent under the sun. Her forearm has a tattoo covering the rippled skin there, lean muscles adorning the rest of said arm.

You play off your staring by narrowing your eyes at her, "Followin' me, are ya?"

"Nah." She shakes her head, stepping forward to wash her hands in the sink beside yours. She tips her head down, looking at her hands as she scrubs, hat coming to block her face from your view. Unfortunate. "Jus' comin' t' wash the filth off my hands. I wouldn't worry, though, darlin', I'm sure that Smilton boy'll check up on ya."

Your brows furrow at this. "Smillin boy?"

"Smilton." She corrects you rather harshly, looking up to meet your eyes through the reflection of the mirror. "Farmer's boy. Rich. Brunette. Helped y' up after the bull."

Realization hits you like a brick. She's jealous. This woman that you've never met, this woman that you stressed over impressing, this woman that you bruised yourself to get the attention of. She's jealous because some farmer's boy helped you stand up. A smirk tugs at your lips, an idea lighting your mind.

"Hmm," You hum lowly, brushing past her to dry your hands on one of the scratchy white towelettes. "He is quite handsome, ain't he?"

"Suppose." She replies shortly.

Your smirk only deepens, drying your hands achingly slow. Because you know she's aware that she has no right to be jealous. And that only serves to make her more pissed off. How interesting.

"What's his first name, if y' don't mind me askin'?" You speak casually, talking with her as though everything that passed between you two prior to this hadn't happened at all. It's driving her insane and you can tell.

"I dunno." She says, turning the faucet off to dry her hands beside you. "Somethin' with a J?"

"Oh, c'mon," you coo, turning to her with those eyes you know she adores. "I know y' know more than jus' his last name."

She looks away, clearing her throat with a set jaw, "you're right. Know his first initial too. It's a J."

You chuckle lightly, releasing the towelette to trace your fingertips along the soft skin of her bicep. "Yeah? And what's your first initial?"

Her entire body seems to tense, breath hitching in reaction to your touch. She looks at you from under the bridge of her hat, green eyes glinting with something informal. Something unfit for a casual conversation between two strangers in the women's rest room. You feel your heart stutter at the sight, having to make an effort not to fall to your knees before her in this very moment.

"E," is all she whispers.

"Last name?" You whisper back, matching her for quietude.

"Williams." She manages.

You hum, eyes following the movements of your hand. Had you not been so drunk, you'd likely never have the balls to be so flirty to her. But, as it turns out, your intoxication is good for something. Well, something aside from staying on some metal bull.

"How pretty," you whisper, leaning forward so your mouth is now right beside her ear. Your breath fans across her skin as you continue. "Now tell me your full name, will ya?"

Her eyes are pinned to your face, pupils tracing your features as your hand traces her arm. She finds herself mesmerized by you, entranced by your every detail ⎯ the slope of your nose, the curve of your cheek, the arc of your brow, the height of your cheekbones, the line of your jaw. She imagines running her tongue along each of these points, imagines committing your to memory using naught but her mouth.

"Ellie." She replies finally, watching closely as your eyes raise to meet hers. Her heart stutters in her chest at that, as it always does when you make eye contact.

Your gaze flicks between her eyes and lips, hand slowly inching up her arm. "Ellie?"

The sound of her name rolling off your tongue is enough to send a spark of heat to her core. That paired with the way your fingers are lightly tracing up, up, up. You move your hand over her shoulder, along her collarbone, up the side of her neck, and finally rests to cup her cheek in your palm. She leans into the touch, eyes fluttering.

"You're such a fuckin' tease," she mutters, voice low as it's weighed down by desire and a deep need to feel your skin on hers.

You ignore her words and move to lean in close enough that your noses brush. Then, with your breath fanning across her skin, you ask, "this okay?"

She doesn't say anything, instead abandoning the towelette completely and grabbing your face in both her hands. With a sudden sense of ferocity, she presses her lips to yours, pulling your body flush against hers.

"I'll take that as a yes," you chuckle between kisses.

"Quiet," she murmurs, too needy for your touch to have time for conversation. As much as she loves hearing you talk, shed much rather talk via action rather than actual words.

You giggle against her lips, your arms coming up to wrap around her neck. She hums, hat falling to the tiled floor with a light brush. With each passing second, her actions become more and more desirous, suddenly pushing your back against the nearest wall. You let out a huff of air from the impact, your lips quirking up to form a small smile, regaled by Ellie's sudden desperation for you.

She tilts her head, peppering kisses down your chin and along your jaw. They're harsh and hungry, nipping your skin in some places purely to see your brow furrow at the feel of her teeth.

As she trails down to your neck, you tip your head back against the wall and open your eyes to blink up at the wooden ceiling. Your hands fist Ellie's hair as she leaves bruises down the column of your throat.

Still well and drunk, the room swirls around you. The lights seem to shift with each blink, making this all so much more intoxicating. Your nerves are already on edge due to the alcohol, so the feel of Ellie kissing them is absolutely maddening.

You feel as she presses kisses along your collarbone, tongue grazing the taut skin there. You shift, legs pressing together as she grows more sensual in her act of quick intimacy. This movement doesn't go unnoticed by her, however, her lips quirking into a small smile against your skin as she feels rather proud of how quick she's turned you to putty under her.

She moves across the bare skin of your chest, plump lips taking time to memorize each detail that adorns you. You move again, the heat between your legs growing harder to ignore.

"Patience, darlin'." She instructs. "I'll get there when I get there."

You frown at this, "well get there faster."

Her kisses suddenly cease, looking up at you through her lashes. She tilts her head at you innocently, blinking as she waits for you to correct yourself. To reword your restive demand. "Don't be rude, now."

You can feel your dignity push at the back of your throat, pride yearning for a moment to speak. Seeing as you're normally the one making orders, this feels quite stranger. But, after the long journey you've taken, you suppose you've earned a bit of time to sit back and let someone else take the lead.

Ellie draws a line of kisses between your breasts and down your stomach, kneeling before you as her head comes to situate itself in front of your waistband. You can't help but admire how she looks from here, hair in your hands as her eyes are pinned to your denim jeans as though it's a buffet and she's a man starved. After a moment, she lifts her head to look at you.

Eye contact. Sparks shoot through your body. Somehow, something as simplistic as meeting Ellie's gaze can make you feel indescribably nervous. Pale green irises bore into you, waiting for you to utter words of consent. You do so, giving her the go-ahead.

As soon as you do, Ellie wastes no time hooking her fingers through your belt loops and pulling your jeans to your knees. She leans forward, eyes lidded.

"Wait." You pant, tugging on her hair to halt her movements. She seems rather annoyed by your sudden interruption, but looks up at you kindly despite her own irritation. You rolls your eyes at her evident pique. "What if someone walks in?"

She sighs heavily at that. "I locked the door."

"Oh, okay." You nod. Though, just as she's about to lean forward again, you stop her once more. "Wait. How did you know to lock it? You were all pissy when you first came in here."

"I didn't know." She explains hastily. "I simply hoped."

You huff out a chuckle, shaking your head fondly at her admittance. Then, finally, you don't stop her when she leans forward.

She traces her tongue along the outside of your underwear, the fabric between you only adding to the pulsing in your pussy. A shiver wracks through you, causing Ellie to grab you by the hips to hold you still. She traces circles into your hips with her thumbs, a gentle motion when compared to the needy movements of her tongue as she draws small circles into your clit.

You tighten your grip on her hair, drawing a grunt from the back of her throat. The vibrations from her mouth against your pussy makes it hard to keep back your own noises.

When she finally shifts your panties to the side, you nearly collapse at the feel of her mouth against you. She licks a long stripe up your vulva, a shaky breath yanking from you. The sound only urges her further, taking one hand and drags her middle finger up your center. You shift, leaning heavily against the wooden walls as standing upright suddenly seems impossible. Then, without warning, two fingers shove right into your hole.

Your hips jolt, moving far more than initially seeing as Ellie is now only holding on with one hand. Whilst thrusting her fingers in and out of your needy pussy, her tongue circles your clit with that same neediness, mirroring you for desperation.

Your head falls back, thudding lightly against then wall. At the sound, Ellie ceases. You almost whine at her sudden stopping.

"My eyes are down here, darlin'." She says lowly. "Let me see you."

Begrudgingly, you oblige, lowering your head to make eye contact with Ellie. She's on her knees, legs folded against tiled flooring as she resumes her lapping. You huff out an airy moan as you have to actively stop yourself from tipping your head back again. She holds your gaze the entire time, adding to the intensity of the feel. Her eyes are lidded, shoulder moving as her fingers recommence.

This all paired with your dizzy head and swimming vision makes for quite the climax, core knotting progressively as Ellie doesn't dare to stop. "Fuck," you pant as you buck your hips against her face, forced to watch as you do so. With another heavy breath and an arching back, you utter, "I'm⎯"

She seems exponentially proud as she hears you say this, regardless of if you finish your sentence or not. She pauses only for a moment to say, "yeah?"

"Mhm," you hum, though it comes out more of a moan than anything.

"Do it, darlin'."

And you do, coming undone right atop her face. She, admittedly, relishes in it, hydrated only by what you're able to provide her with. You see stars and they're swimming too, circling your head in a celestial body of pleasure. And Ellie watches, for once allowing your head to fall back as she deems this a one time exception. Because there will be a next time.

You're panting as you lower your head to face her once more, her gaze never having left your expression. She makes out with your pussy sensually as to bring you down from your high. Then, as gently as she can, she situates your panties back on correctly and pulls your jeans to rest as your hips, remaining knelt in front of you as she zips and buttons them just as she'd found them.

You watch with a twinkle of fondness behind your irises, unable to look away from the expression of adoring concentration she wears. She then uses your hips as a support system to haul herself back to her feet, leaning forward to press a kiss to your lips. You can nigh taste yourself on her.

"Not bad for a stranger at a sketchy bar." You muse, picking her hat from the floor and situating it atop her auburn tufts of hair. She watches you, analyzing your every move.

"I'm not just a stranger." She reminds you as your eyes find hers, your hands coming to drape around her shoulders. "I'm a stranger who wrote a song about you."

"Mm," you hum, "so you're a stalkers stranger?"

"I prefer the term passionate." She says, shooting you a playful scowl.

You chuckle, "passionate for what? Stalking and preying on drunken women?"

"Pfft-" She scoffs. "You're not drunk."

For a moment, you consider agreeing with her. To save her the pain of realizing you hadn't been sober for this. But you know better than to lie to her. So, through lidded eyes ⎯ ones that should have been a rather telltale sign of your intoxication ⎯ you give her a look, not even needing to voice the truth aloud for her to understand.

"Well fuck." She groans, taking a step backward and causing your arms to fall to your sides.

Frankly, you'd expected her to be much more angered than that. Because you know you would be. After writing a song, chasing down, then tongue-fucking someone in the bathroom, the worst news to receive would be that they'd been wasted the entire time.

"I'm sorry," you're quick to apologize, for some reason feeling the need to earn her forgiveness.

"How're you planning to get home?" She asks.

"I hadn't thought about that." You admit.

"How about this," she suggests, "I give you a place to stay to apologize for fucking you while drunk and you let me take you to dinner tomorrow to apologize for not telling me beforehand. Deal?"

A smirk works its way to your mouth, "deal."

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areyouwell · 2 days ago

Text

Memento Mori

Ch.1

Pairing: Logan Howlett x F!Mutant!Reader

Warnings: Violence, slight body horror

Word Count: 8.1K

A/N: Took me long enough. New long-fic comin' in from the left! i know i teased this around three weeks ago (ish) but here's chapter one. not sure this is gonna be as long as Phobophobia but i'm really excited about this one. it's a little darker (yeah i know) but i already love this MC. if anyone wants tagging in this pls lmk, i don't wanna assume everyone who i tagged in Phobophobia wants to be tagged again so i'll start a new list <3

Dividers by @/sweetmelodygraphics

“So, as detailed here, there have been a string of these… murders, I suppose.”

Logan sighed heavily. When he woke up this morning, the one thing he didn’t expect was to be called into Charles Xavier’s office so soon after having breakfast, let alone be greeted with grainy photographs of some of the most horrific murder scenes he’d ever had the displeasure of looking at. Entrails, bones, flesh, eyes. None of it was where it should be, which most of the time, seemed scattered around the floor rather than attached to whichever poor, unfortunate soul who’d had the shitty luck of running into their silent assassin. Charles pointed the telescopic stick towards the mangled jacket of one of the equally mangled victims. Logan couldn’t even tell what gender they were, their face nothing but a bloody pulp.

Almost as if it had been exploded from the inside out.

“This symbol here is the only string that connects the murders, and after doing a little digging,” he nodded thankfully to Ororo, her white hair bobbing with her dip of acknowledgement. “We found they all belonged to the same company, here.” With a click of the remote in his hands, the projection flipped to the next slide, a map of San Fransisco, a large red circle drawn around a location Logan was only somewhat familiar with, only because he’d walked past it a few times.

“It’s a warehouse,” he offered, several heads turning to look at him. “I’ve walked ‘round there couple times. Nothin’ special, s’always buzzin’ with life.” He shrugged thoughtfully, tugging a cigar from his jacket pocket and flicking the Zippo lighter open and shut with his other hand. Charles gave him a slightly irritated look, but he pretended not to notice.”So… What? Our killer’s just popping caps in the head’s underpaid workers? Doesn’t make much sense.”

“That’s what we thought too,” Ororo continued, placing down a few pieces of paper and spreading them about the table. “Until we started to notice a pattern. They’ve been picking off specific shift workers, mainly those on the late shift. But it’s never new members of staff either. Always those who’ve worked there for at least two years. Lately, their security has increased, but once they leave work, they’re basically on their own.” Storm took the remote from Charles and clicked to the next slide, a list of names and hours flaring onto the screen, the names of victims having been crossed out, though their hours were still visible on the row of the rota.

“Ya don’t think this has anything to do with that orphanage incident, do you?” Kitty piped up, cupping her mug of tea in both hands, either for comfort or for warmth, Logan couldn’t tell. She had a good point. It must have been around a month ago now. A fire had started downtown in the dead of night. Officials had said it was a discarded cigarette from one of the employees, but that didn’t explain why all the windows and doors had been locked.

Everyone within burned. Children included.

“It’s certainly a theory…” Scott mused, rubbing his hand against his jaw in thought. “A terrible accident sounded far too much like a cover story. Think this killer had something to do with it?”

Charles sighed heavily. “Ordinarily, yes, I’d have some kind of suspicion, if it wasn’t for the fact our killer was elsewhere at the time.” He nodded to Ororo, who clicked the remote once again. “This was taken not an hour beforehand, on the other side of the city. Unless the killer can teleport, there’s no way they could have made it across town in such a short amount of time, let alone take all the precautions and set alight to the building. Though I do not believe it was merely a terrible accident, I don’t believe they had anything to do with it.” Charles finished before Ororo leant over the pages she’d spread on the table, spinning one to face the rest of the team.

“Though we do have this. A pattern of all the attacks and locations,” Logan stood up to skirt around the table, standing between Kitty and Marie as he inspected the red pen. With every X, the attacks almost formed an exact circle around the warehouse, almost as if the killer could predict which ways those victims would take home. Especially after the first attack. “We think the next one will happen here,” Ororo pointed to a side street far between the locations either side. “The most recent one being here, it’s logical to think they’d take the opposite side. At least, that’s what we’re hoping…” She trailed off, and Logan returned to his seat, having an idea as to what this meeting was actually about.

“You want us to lay a trap, right? Trail several employees home and jump in before Killer McGee can get their hands on ‘em.” He clarified, and Charles nodded a little too darkly for his liking.

“Exactly. Which is why I won’t be asking you all on this mission. We need to avoid detection and sending all of us would be too much of a risk. Whoever this is, we must assume they’re a mutant. These attacks happen quickly and viciously, and to cause such damage in such a short amount of time, we must assume they possess some sort of ability.

“Scott, Ororo and Logan, I trust you can handle this task? I will be in Cerebro with Jean on hand, and the rest I want you on standby in the Blackbird in case backup is required.”

“Wait, we’re doing this tonight?” Marie squeaked, casting a wary glance to Kitty who returned her expression. Logan was relieved neither of them would be actively on the mission, he’d come to care for them both deeply, and whilst that didn’t mean he didn’t care for either Ororo or, though he’d never admit it, Scott, he was glad the two girls would be on standby rather than active duty.

“The attacks seem random, as if they flipped a coin to see if they would head out each night, but when you look closer, they’re only on the days the older members of staff are on shift. We think they’re looking for something, or someone, specific.” Ororo explained, pointing back to the projection on the screen. “These three here have been working at this specific warehouse for three, four and seven years respectably,” she clicked the remote again for each of their work ID cards to flash onto the screen. “Scott, you’re tailing Alec,” she gestured to the string bean of a man, blonde hair styled into several spikes atop his head, two silver snakebite piercings adorned his lower lip.

“Logan, you’ve got Manuel, he’s been there for four years,” Logan didn’t think they could have found such a different-looking guy to the previous one if they fucking tried. Manuel was built like a brick shit house, a buzzcut of dark hair dusted the top of his otherwise bald head, ears like fucking cauliflowers. Of course, that’s who he’d be tailing, probably because a punch from this guy would send anyone else across the damn room.

“And I’ll be tailing Henry, he works in the office upstairs but is still very much a likely target. We’re hoping to locate and pin down the killer before their shifts even finish, but in the eventuality The Professor can’t get a lock on them, this is the backup plan. Got it?”

Both Logan and Scott nodded in unison. It didn’t seem too much of a problem mission if this killer was cowardly enough to be picking these guys off one by one, he didn’t think they had much in terms of fighting prowess. Taking an enemy by surprise was the coward’s way out, in his opinion, though he supposed not everybody could heal the way he could.

And taking this killer by surprise was exactly the plan…

Maybe he should rethink his principles.

“Be suited up and ready to head out at ten. Gives us at least an hour to locate and set up.” Ororo gathered the papers on the table, tapping the small stack against the surface before tucking them beneath her arm. “Right, I’ve got a class to teach, pretty sure you do too, Professor.” She turned to Charles who simply smiled and nodded, ending the meeting just like that. With a huff and a stretch, Logan stood from his seat, instantly reaching into the inside pocket of his jacket and pulling out a thick cigar, earning himself a sharp look of disapproval from Xavier, the Professor glancing pointedly to the chilly air beyond the window. Logan knew what he was saying, and usually, he’d tell him to go fuck himself and smoke indoors. But he needed a breath of fresh air after that stuffy, slightly nauseating meeting, and if he could kill two birds with one stone, why wouldn’t he?

With an acquiescing shrug, he shoved his hands in his pockets, turning on his heel to stalk from the boardroom, shoving the door open with his shoulder and almost walking chest first into Jean. His heart skipped a beat or three, lips pulling up into a small smirk to hide the fact he was borderline giddy to be running into her outside the meeting. She’d been the object of his affection ever since he was brought to the mansion and she checked his vitals. He couldn’t help it. There was just something about her he couldn’t quite put his finger on. Something that drew him to her the instant he was in her presence. He didn’t find himself thinking of her much outside their interactions, but when they were in the same room, all he could think about was her. It would be frustrating if he cared about anything said in those meetings.

“Watin’ f’me now are ya?” He teased lowly, savouring the way her lips pursed to stop herself from smiling. There were times Logan thought she felt the same magnetic pull toward him that he felt toward her, times like this, where she didn’t look away from his gaze, and entertained his relentless teasing.

“You know Scott’s still in there. We have plans,” she responded, feigning an attempt to look past him and back into the room where Scott was discussing various strategies with the Professor. Logan raised a brow as he followed her wavering line of sight, keeping that brow raised as he looked back at her.

“Plans? Hope you don’t mean dinner, doesn’t look like he’ll be out anytime soon.” If she could just see how terrible Scott was for her. If he could just make her see how he would be so much better. Would suit her better. Would take care of her better. He wasn’t willing to change for many people, but if Jean asked, he would do it in a heartbeat. He’d change himself for her.

“Yes, Logan, dinner plans before the mission. And you know this is a tradition because you comment on it every time.” She huffed, her hair bobbing slightly with every emphatic move of her head. Logan chuckled lightly, his eyes briefly glancing from her gaze to her lips, how perfect they looked, and how perfect they would look wrapped around his–

“Then we both have our little traditions, don’t we? C’mon, doll. Why don’t we stop this dance?” His fingers curled through a strand of her hair, feeling it between his thumb and forefinger. “Haven’t I shown ya I can be the good guy?”

Jean sighed, and Logan half expected her to move away, but instead, she just closed her eyes, shaking her head softly. Was she mournful? Disappointed? It was hard to tell.

“Logan, I don’t–”

“The fuck you think you’re doing?” Scott’s voice slashed through the charged atmosphere between them, and Logan found his hand falling away from Jean’s hair almost instantly.

“We were jus’ talkin’, Scotty.” Logan shot back, trying to keep the defence from his voice. There was no need to let Scott know just how irritated the interruption made him feel.

“Yeah, like hell you were. Back off, Logan. I don’t wanna have to tell you again.” Placing his arm around Jean’s shoulders, Logan couldn’t help but notice the way she shrank slightly, looking almost humiliated. He tensed his jaw. If she hated Scott’s attention this much, she knew what he had to do. Logan didn’t know how much more obvious he could make his interest in her. All she needed to do was take the leap. “Yeah yeah, ‘stay away from my girl’, I know.” He mocked, sending Jean a wink before continuing on his path to the courtyard. Now he really fucking needed that cigar.

The city was so pretty in the twilight. Silhouetted buildings scattered with twinkling lights against a deep blue sky, it almost made up for the lack of stars. And there was nothing like watching the city skyline descend into darkness that had you more prepared than ever for your latest chosen victim. You hadn’t learned nearly as much as you should have by now, nobody you’d tortured knew anything about what you were looking for and it was starting to piss you off. But you didn’t bury those feelings. Instead, you harnessed them. Used your frustration to your advantage and honed yourself like a forged weapon. Every burn of urgent irritation sharpened your slices, focused your fileting, and pinpointed your precision.

For the greater good, you reminded yourself as your watch beeped ten, and you spun the small knife in your palm before sheathing it in your boot. Your specific target of the night finished early every other week on Thursdays, hence your change in schedule today. In fact, a good few of them did. You assumed it had something to do with specific shipments on the warehouse floor but you didn’t bother yourself with the details. You knew his schedule now. You’d been watching for weeks. And you had every single detail of his various ways home. He was a bus-taker. Though, to avoid you, he’d been taking different numbered busses to other parts of town, before heading home. But the moron used the same three in rotation. There was no cause to wonder why he worked in a warehouse…

Although you had a good feeling about this one. You’d already scored one victim of the night, who was currently unconscious in your chosen location. You were one hundred per cent sure he knew what you were looking for, and you had a fantastic feeling about this one too.

Standing from where you’d been lounging against a rooftop balcony, you stretched your arms high above your head, listening to your bones and joints crack slightly before securing the steel mask over your features, cursing the phantoms of your past for providing you with such memorable makeup, and, shrugging the hood of your short-sleeved jacket over your head. Your hands dipped into the various sheathed across your waist, double checking the various blades in your belt. You were thankful you never needed to go through any kind of metal detector, because it would likely take you the rest of the night to remove every weapon dotted about your body, from the little holsters on your biceps to the sheathes in your boots, to the retractable blades in the bracers on your wrists. A wise woman once said you can never have too many knives.

A phrase you really should copyright before anyone else claims it.

Five past ten. Go time. Taking a few steps back, you broke into a sprightly run, leaping like a dexterous cat across the rooftops, every step measured in surety. You’d done this too many times to start second-guessing yourself now, and it wasn’t like you were a stranger to the city’s rooftops and sketchy alleyways before you started doing this. With little effort, you crossed blocks in a matter of moments, skipping over crowds and traffic like it was child’s play before you landed with a deft roll above the side street tonight’s victim would take in a matter of five minutes.

Like you said. Child’s play

You crouched low, removing the serrated knife from your belt, and flicking it in your palm over and over. It was a habit you’d developed when waiting in anticipation for something. It kept your hands occupied whilst your mind focused on the events to come, picturing exactly how you wanted things to play out. It was difficult. Capturing and torturing these assholes was like shooting fish in a barrel.

“Fourth clear, no signs of our guy.”

You ducked low on the rooftop, an unpredicted obstacle walking into view wearing some shitty leather getup, fingers delicately perched at the side of his horizontal glasses. Though they weren’t exactly glasses. How would you describe it? Eye-guard? Some weird single glass as opposed to glasses? Whatever the fuck they were, you didn’t exactly want to find out what they did. He was holding them as if they were some kind of weapon.

Shit, this really wasn’t good. If he didn’t move on now, you’d have to take him out and risk alerting your victim to your presence. Fuck, fuck and fuck again. And just as luck would have it, Alec appeared at the other end of the alleyway, nervously looking about before entering hurriedly. People didn’t watch enough movies. Did they really not know that entering dark alleyways with a killer on the loose was practically the same as signing your own death certificate? In any case, this actually worked in your favour. With Mr Visor patrolling the other end, you sliced open your hand, your blood humming as you pulled it from your veins to wrap around the metal drainage pipe before you swung off the rooftop, the crimson rope twisting and writhing as if it were alive as you descended, landing quietly a few paces behind him.

Now, if he wasn’t on such high alert, he would have most likely chalked the slight thud of your landing to the sound of a street cat, or perhaps a fox. But the way Alec jumped with a yelp, staggering as he turned to face you, didn’t exactly scream discreet. You held your hand up in front of you, contorting your fingers as your mutation felt for his pulse, slowing down the blood flow in his veins as quickly as you could. Not fast enough, a strangled yell flew from his now pale lips, and you swore viciously as your latest obstacle jogged back into view between the alleyway’s walls.

“Shit, HE’S HERE!” He called to nobody you could see, and you barely had time to duck before a searing red beam of pure energy shot above your head, illuminating the dingy street in the crimson glow. You thought it slightly ironic, as your knife slashed through the palm of your hand, the colour of his mutation and who he was up against. Curving your arm in a wide arc, you manipulated your own blood cells into a wide blade, propelling it forward whilst you took a few steps toward your now collapsed victim. With Glasses now distracted by what you assumed was him discovering your own mutation, you felt around his veins for his heartbeat, tracing the blood flow back until you found the source, and you poured all your energy into slowing that one too.

“He can manip… manipulate bl… blood.” Once again he spoke aloud to nobody you could sense, his knees giving out before he crashed to the floor. You huffed out a breath, fishing a small bandage from the pouch on your belt before wrapping up your hand and pulling the tie tight with your teeth. The one thing you found frustrating about your mutation was your inability to heal. How fucking helpful that would be, if every time you had to slash yourself open, you could just reseal the wound? Instead of running the risk of bleeding out. But you guessed everything had its drawbacks. Even blood manipulation.

You bent to pick up Alec’s ankles, dragging him a few feet back the way he came, before you stopped, and looked back to the unconscious mutant at the alley’s mouth. You should kill him. Things would be easier if you did. And so, dropping your victim’s feet without much care, you strode over, finding a small gap in the wrappings around your palm, you extended a small spear from your flesh with the intention of jabbing it through his head and silencing what he saw here forever.

But there were little voices calling out from a small earpiece nestled in his ear canal. You tilted your head, plucking the bud from the side of his head and holding it up to your own ear.

“Scott? Scott can you hear us?!”

“We’re tracking your location, hang tight!”

“I’m en route, stay alive asshole.”

A kaleidoscope of voices blended together, though the last one had you dropping the earpiece and crushing it with the heel of your boot. Someone was coming. A big someone. Someone whose voice you really hoped didn’t match his body.

You should kill him. You really should kill this Scott guy, but something about the concern and fierce loyalty of those in the earpiece stopped you. This man was loved. He was cared for. Most of your victims didn’t have anyone. No family, very little friends, and all with some kind of penchant for criminal activity. Alec, for example, was finding himself becoming a little too familiar with the gates of a primary school. The more you watched him, the more you found yourself utterly repulsed by the way he would try and get the attention of those kids. Those children.

But Scott had people who would care if he died. And so you let him be, pulling and pushing him upright against the wall before jogging back over to your actual victim and resuming your strained attempts to drag him off to your chosen location for the night.

An ancient, local church, ironically enough.

Logan raced through the streets, across busy roads and through closed parks, leaping over fences and gates effortlessly. He knew Scott’s location, Jean begging him over coms to do what he could. He was still alive, The Professor could sense it, but how the mission had immediately gone south, he had no idea. But at least Scott was still alive. At least, he was for now.

“SCOTT!” He called, slowing his steps as he closed in on his location, his claws sliding from his knuckles. The metallic scent of blood flooded his senses, but it wasn’t Scott’s. He knew what Scott’s blood smelled like, having punched him in the nose a few times for the scent to be memorable. No, this blood was new, unfamiliar, and reeked of mutation. Which he supposed made sense.

Blood manipulator. That was the last thing Scott had said before he fell silent and before his channel died completely. And stalking up to the mouth of the alleyway, he could see why. Scott’s earpiece lay crushed on the concrete, little pieces scattered across the floor. Peering into the alleyway, Logan’s heart raced as his eyes cut through the darkness to find Scott himself lying slumped against the wall, his head hanging low. Logan bent to one knee, placing two fingers against the side of his neck to feel his slow yet strong pulse. The same pulse that would be associated with someone unconscious. But there was no head wound. Nothing to indicate he’d been completely knocked out.

“Is he–”

Logan looked back to see Ororo landing behind him, her hair slightly wild from the wind. She must have flown her way over, avoiding the nightlife altogether.

“He’s alive. Unconscious, but alive. You heard what he said, right? Blood manipulator. I think our guy must have slowed his heartbeat or somethin’. There’s no wound anywhere…” Logan gently moved Scott’s head in search of any kind of blunt force trauma but found none. Not that he was expecting to find anything, since the only blood he could smell was unfamiliar. And it lead right down the alley and out the other side. “Gonna need ya t’stay here, Storm. Make sure Scott’s alright.” He kept his eyes focused on the darkness ahead, and the small sliver of light beyond.

“And where’re you going?” Ororo asked, crouching beside him as if to physically demonstrate she’d stay with Scott. Logan sniffed the air again, almost able to see the blood trail the scent was so damn strong.

“Followin’ our man. We don’t know if he bagged his victim, but if he was here with Scott, then he was after Alec, and I don’t see him anywhere, do you?” He asked, raising a brow to the woman by his side, who shook her head.

“No. And I didn’t see him from above either. Alright, you go. But be careful, Logan. He’s unpredictable and now we have an idea as to how dangerous. If he can knock Scott out cold like this, he shouldn’t be taken lightly,” Ororo implored, watching as he rose from his crouch. Logan huffed an irritated sigh, having to restrain himself before he rolled his eyes.

“I’ll be fine. Look after Cyclops.” Was all he said, before taking off down the alleyway at a light jog, following his nose and turning left at the end.

“Logan, this isn’t a good idea. You can’t charge into the unknown with no information other than blood-manipulator.” Jean’s voice echoed in his ear, and he once again felt his lips pull up into a small smirk.

“Why, you worried about me?” He provoked, chuckling when he heard her deep sigh, pinching the earpiece between his thumb and forefinger. “I’ll send up a flare if I need ya.”

“Logan don’t–”

Whatever Jean was about to say was lost when he tossed the coms unit onto the ground, leaving it and all methods of communication behind as he continued on toward his target. He couldn’t believe his eyes when his nose led him to a looming church, stained windows dark from the inside, spires towering high into the night. This couldn’t be right. Either his nose had failed him, which was unheard of, or the killer had a wicked sense of humour. It must have been the latter, the stench of blood increasing tenfold as he crossed the neatly mowed lawn outside, taking the stone steps two at a time and up to the wooden double doors.

His ears twitched as he caught distant screams from inside, deep enough that anyone passing by would be completely oblivious to any goings on within. Once again, he released the hold he had on his claws, razors slicing through his muscles and flesh as they slid from his knuckles. He took a breath, bracing a hand on the centre of one of the doors before he pushed slightly, the hinges’ echoing screech causing him to freeze, letting the sound settle before he moved. The screams continued, and as sick and twisted as it was, he used that to gauge whether or not he’d been heard. So far, remarkably, so good.

Stealth wasn’t his strong suit. Never was, but he cursed every heavy footstep that bounced off the wooden beams and stone walls, even the stained glass seemed to be mocking him, some ridiculous depiction of a halo-wearing baby with the proportions completely incorrect, being carried by an equally disproportionate-looking woman who seemed to be bathed in holy light. Once upon a time, he may have found comfort in the frieze. Now he simply thought it ridiculous. How could there be a god when mutants like him walk the earth? When mutants like this killer were allowed to wander around completely free?

He shook his head of the thoughts. Now was not the time to contemplate divinity. If he wanted to discuss religion, he’d have a conversation with Kurt. He followed his senses, down the aisle between the pews and up to the lectern, his head snapping to the right and through the door to the sacristy. Once again measuring his steps, Logan crossed the altar and into the shadows behind the pillars, that same coppery scent of blood lingering on the slightly crimson-stained doorknob, the faint smokey smell of mutation told him this was the killer’s blood. Had the victim fought back somehow? He assumed he’d done the same thing to them as he had to Scott, knocked them out before dragging them away.

Shoving the door open, Logan took a moment to look around. Nothing much, other than a large closet, a chest of drawers and a small bathroom sink with a mirror. A rug covered a large portion of the floor, the patterns almost psychedelic in nature, but this was where the scent was strongest so far. Here, in this room. Then where the hell was all the screaming coming from? He could still hear it, in the distance, beyond several walls of stone, or deep beneath–

Logan paused, his eyes flickering from the bare walls to the rug on the floor, one corner ever so slightly raised from the ground. With determined curiosity, he tugged on the fabric, pulling it back from the ground before tossing it completely into a corner. There, now revealed, a wooden trap door. He couldn’t help but think it was a little cliché, to have a trap door leading down to some kind of torture chamber, but if the chosen location told him anything, it was that the killer had a flair for the dramatic.

To hell with stealth at this point. Logan crouched, gripping the large brass handle and throwing up the door so it clattered loudly against the floor. He was glad he had excellent vision, as the darkness beyond would be enough to turn away even the bravest of souls. And yet, here he was, taking step after step down into the pitch black, his eyes reflecting what little light there was. Perhaps the setting was more fitting than he originally thought because it truly felt like he was descending into the pits of hell with each careful step. The scent of blood now fused with the acrid scent of urine, and the musk of sweat. It was enough to have him almost gag, but he kept on going, led by the sounds of broken screams.

Until those broken screams were cut viciously short.

Logan stopped in his tracks, bracing a hand against the damp wall, a crippling sense of failure weighing heavy on his shoulders. He hadn’t been fast enough, and now Alec was likely dead. He couldn’t think of another reason why the killer would just cut off his screams like that. But what unnerved Logan further, was that now one voice had been silenced, another was rising up the dark, dank tunnel. There were two. The motherfucker had managed to grab two victims in one night. What the fuck was he using them for? Why torture them? What was he looking for?

A pinprick of flickering light teased him from the distance, the literal light at the end of the tunnel winking in the distance. How far down had he gone for the exit to only now be visible? Had this guy really dragged two bodies down these stairs already today? A picture was forming in Logan’s mind. He had to have some kind of muscle on him to be able to carry weights such as these. But he couldn’t let himself get comfortable in his predictions. That would only lead to chaos. So he kept his mind open, the only thing he was fairly sure about was the fact this killer was a man.

Not that a woman couldn’t be capable of this kind of thing, but he’d seen the size of some of the victims. Either she was some kind of bodybuilder or a man. One seemed more likely than the other.

He felt like he’d been in this stupid fucking tunnel for years by the time his eyes needed to adjust to the flickering torchlight, the steps levelling out to a long, claustrophobic stone hallway, the low arch of the ceiling barely high enough for him to stand up completely straight, the tips of his brushed up hair lightly brushing the damp brickwork. He continued creeping forward, a cone of more flickering torchlight illuminating a doorway ahead of him and to the right.

The secondary voice gurgled another agonised scream, and Logan felt a decent amount of urgency fuel his steps, half jogging the remaining feet up to the archway, peering around the stone.

His stomach clenched, eyes widening. Well, that would show him not to make assumptions. The killer wasn’t a man.

You were a woman.

The two victims were strapped to chairs, back to back, a knife in the mouth of one, the other’s head– Alec’s head, hung limp. In the lap of the other, you held a map, blood dripping from both your palms.

“Point.” You spat, delivering a harsh slap to the side of his face. “And so help you, your answers better match up.”

With shaky movements, your captive craned his neck down, pointing the quivering tip of the knife against a random point on the map you’d lay in his lap, tears flowing down his face as he whimpered in utter terror. Logan watched as you raised your hand over Alec’s head, contorting your fingers as he groggily returned to consciousness. He couldn’t see his face before, and Logan would spend a long time wishing he could return to that ignorance. Two dark, bloodied holes replaced the sockets where his eyes should be, tears of sanguine had rolled down his cheeks, staining his flesh until it bled into the exposed muscle of his cheek.

“Finally, we’re getting somewhere.” You took a step back, snatching the map from your second victim and drawing a circle with the bloodied tip of your finger. After so many deaths, the cacophony of screams that kept you awake at night, finally you had a lead. “And what is it exactly th–”

You stopped, your nerves alight with alert.

Logan whipped back behind the archway, pressing his spine against the wall and keeping his breathing steady. He didn’t hold out hope you hadn’t seen him, and he was incredibly thankful for that, clenching his fists when your voice echoed in the expanses of the chamber.

“I can feel it. The mutation in your blood. Scott’s friend, I assume?”

With a long sigh, Logan stepped out from behind the archway and into the light.

“Friend is a strong term. Associate.” He responded, his eyes flickering to each of your palms as crystals of crimson extended from the two wounds in your flesh, taking the form of jagged blades. Your head tilted to the side, hood shifting slightly for the light to catch your eyes.

“Scott’s associate…” you mused lowly, striking out with surgical precision to the two captives, keeping your wince locked away as your two blades crunched through their skulls with a sickening squelch.

Logan clenched his jaw, keeping his chin held high. “No explosions this time? Entrails seem far too organised for you.”

“A fan of my work? Sorry, I don’t tend to do meet-and-greets. Although I’d be willing to sign your corpse for you.” You held your blood blades tight in your palms as you bent your knees. You wouldn’t be getting out of here without a fight. And whilst you could feel the mutation in his blood, you had no idea what it was exactly that he could do. The claws were an obvious giveaway, but was that it? You’d come to learn to put all assumptions to the side and be prepared for anything.

Years on the streets had taught you that.

“Why?” Logan asked, taking a steadying breath.

“I beg your pardon?”

“Why?” He repeated with just as much conviction. “Why do this? What’re you looking for? Why’re you doing this?” He watched you falter slightly as if genuinely taken aback that he was interested enough to ask. “You coulda killed Scott, but you didn’t. Y’not afraid of causing pain, but you left him unharmed. Why?”

Too many thoughts were running through your head. Truthfully, you didn’t want to admit that you couldn’t. He had nothing to do with this, and whilst yes he got in your way, he was innocent. None of these people were. None of your victims were. Least of all, you.

“Why ask? Did you want me to? Yikes, that’s some rivalry you got there.” You deflected, twirling one of your blades in your hand. “Tell ya what, I’ll finish the job for you, free of charge.” You grinned behind your mask, taking a step toward him, dragging the tips of your crystalised blood blades along the ground, leaving little crimson trails as you walked.

“Got a lotta lip, ya know that?” He growled, watching you like a hawk as you slowly stalked forward, step by careful step.

“If only you knew the trouble my mouth gets me into…” You paused for a moment, crouching low. Anticipation crackled in the air, sparks of adrenaline igniting the room before you launched forward, keeping low to the ground.

Logan tracked your movements, bending his knees and bracing his claws in front of his body before your blades cracked against his, literal sparks flying from the contact point as you stay low, your other hand braced against the floor, leaving bloodstains on the stone. Your leg swept toward his, and he wrenched his claws from where they’d tangled with your blades, taking a quick step back to avoid your jab.

Using your momentum, you pushed off from the ground, spinning upright just in time to parry a slice from his claws, your blood thrumming with the impact. He was strong. Really fucking strong. Annoyingly strong, in fact. You hated having to manipulate the vessels and cells within your body, but the moment his fists arced down toward you, you had no choice but to increase the blood flow to your biceps, wincing slightly as they shuddered and flexed in response, but it was just enough to catch him off guard, your two blades crossed between his six claws.

You didn’t let the moment linger, delivering a harsh kick to the centre of his stomach and using the almost rock-like surface to send yourself a few steps back, sweat already trailing down the inside of your mask.

Logan bent double, grunting in discomfort before lowering into a similar crouch to your own, watching closely as your blades dragged along the ground once again, leaving little slices of crimson. You raised your head in challenge, the flickering torchlight catching two sparks of sanguine red eyes, pulsing slightly as your mutation shimmered from your hands, veins bulging up your wrists. Something tugged at his chest, and he stilled for a moment. It looked almost… painful. The way he could see every pulse of your heart thumping within those bloodborne blades.

His head tilted to the side, and you felt discomfort crawl over your skin. Was he… studying you? In the middle of a fucking fight? And not the ‘I’m studying you to see your next attack’ kind of way. You grit your teeth, irritation flaring in your gut as you launch forward, anger and frustration now fuelling your movements. How dare he. How dare he try to read you like this. He didn’t even fucking know you. But the way his features slackened slightly, the ever so small tilt of his head. You wanted to tear him to ribbons.

Logan shook himself from his thoughts as you surged forward, once again bracing himself for the flurry of swipes he could sense was coming his way. Only–

You ducked to the side.

Your blades retracting back into your palms as you slid past him, grazing the centre of your hand against the floor in a wide arc. What the hell were you doing? What the fuck was with all the acrobatics. You’d done nothing but flip and spin around him, barely going in for any hits. He whirled around, claws still held before him in closed fists, but you looked… done.

Like you’d already won.

“Well, this has been a pleasure. But I’m afraid I’m a very busy woman,” you paused, placing a hand on your hip as if you were having a casual conversation in a shopping centre. “And you’re wasting my time.”

Logan barely had time to think before the bloodstains on the ground shifted, and in every place you’d dragged your palm across the stone, a sharp spear shot from the marks towards him, impaling through his suit and into his chest, his legs, back, and shoulders with a sick, wet crunch.

Through agonising pain, he finally understood what you were doing. Setting up a fucking trap. Any attempt to move resulted in tearing fire through his body, a rough cry of pain flying from behind his gritted teeth, before it became too much as he sank to his knees. Your sigh almost sounded disappointed, and he watched through hazy vision as you brought out a bandage from your belt and started to wrap up one of your palms with a slight hissed wince.

You’d expected him to be dead by now, and yet somehow he was still clinging to life like a tenacious limpet. An irritated huff warmed the interior of your mask as you flicked your unbound hand, another jagged spear of ruby sailing from your palm and through the centre of his stomach, wrenching another agonised cry from his throat.

“Fucking hell… still here? Most would be dead by now.” You folded your arms across your chest, wandering over to where he was still bent double on his knees, heaving rasped breaths.

“Most of ‘em can die.” He snarled back, his strength slowly returning as his regeneration worked overtime to remove the whipping spears from his body. You watched as they shifted in response to the resistance, fascination curling like smoke in your head. What the hell was this guy?

“And you can’t, I presume?”

“Nope. Not yet, at least.”

“Huh,” you shrugged, your eyes flaring as you wormed those tendrils back through his flesh, something twinging in your chest as you did so. “That’s… unfortunate,” you crouched in front of him, running your fingers along one of the tendrils of blood holding him still, your eyes falling to the little X symbol on his leather collar, recognition striking you like lightning. “Wait… I know you. You’re one of Xavier’s, right? Never thought he’d meddle in simple human murders,” you thought for a moment, regarding him. “Doesn’t it bother you? Being nothing but a weapon to him? Just a gun to point at the enemy whilst he’s the one who claims the victory?” You provoked, finally garnering a response as he all but growled at you, bloodied teeth bared. You had half a mind to use his own blood to sew his mouth shut, but you were curious about him. A mutant who couldn’t die, running around playing soldier for someone who would never walk the battlefield himself.

Sure he should be the one pulling the strings.

Logan knew you were trying to get under his skin. Metaphorically, of course. Physically, you’d already achieved that, the sharp bolts of agony with every slight movement told him that much. But he needed to get under yours.

“I know what these people did,” he breathed, chest searing with each fiery inhale. “The ones you choose. I know why you kill them, but why torture them?” He continued through gritted teeth, tugging against the lashing spears through his body.

“You think that’s what this is? Me cleaning up after this world’s scum? I should add myself to that lengthy list.” You growled back, gesturing wildly to the walls around you. “These people know something. The fact they’re all child predators is simply luck. But don’t you think it’s strange? An orphanage burns down and none of the bodies are found?”

Logan stopped his struggle. “What…? How d’you–”

“Nothing. Not even skeletons. Doesn’t that make you wonder where the hell those kids went? The disappearances throughout the city, all kids. All mutant kids.” You could see the cogs turning in his head as he processed what you were saying, and what it meant.

“Y– you’re looking for information…” He muttered with understanding, and you nodded.

“The men at that warehouse… they’re always hanging around schools and –before it burnt down– the orphanage,” your eyes flickered to stairs beyond the archway, and the distant shouts echoing down the hall. “It’s a slave trade. A mutant slave trade.”

“How d’you know?”

“I… I can’t tell you that.” Something twisted in your gut as his expression shifted to something softer, despite the obvious pain he was in. You didn’t want to hurt him. It was a sudden realisation that you’d acted too hastily. Assumed he was here to eliminate you after the series of events you’d caused. But you should have known the moment he started asking questions. Sure, he was probably here to put a stop to what appeared on the surface to be a sequence of grizzly murders, but he’d asked. He wanted to know why. Not many others had done that. And there was something else flickering in his strikingly haze eyes.

He didn’t want to kill you. Not now he knew.

Your head whipped back to the archway, where those distant shouts had increased in volume and, terrifyingly enough, proximity. You could clearly catch the repeated calls of a name. His name.

Logan.

“Look, if you want to help, there’s a gala happening at Thornbury Hall, west of the city. Saturday the 18th. Meet me there or don’t, it’s your choice. But you come alone. I’ll know if you don’t.” You hissed hurriedly, flicking your fingers to withdraw the countless spears from his body, and he screwed his eyes shut as his wounds immediately began to knit back together, muscle and tissue reforming with an unbearable itch, the crystalised blood liquifying once again, staining the stone red.

“Logan?!”

Your breath quickened as you looked back to the archway, and Logan could just see the fear reflecting in your barely visible eyes as you took a few steps back. He wanted to stop you. Wanted to tell you that you didn’t have to take this on alone. They could help. He could help. And there wasn’t a doubt in his mind that he wasn’t going to take the olive branch you’d just extended.

“How’ll I know it’s you?” He asked as he stood to his feet, eyes narrowing in suspicion despite himself. He hadn’t seen your face. Just two scarlet eyes behind a rather unnerving, featureless mask. Your head flipped between looking at him and looking past him to the archway skittishly, hurried footsteps growing louder as his other associates honed in on your location.

“When you get there, look for a man with a runic tattoo on his neck and ask for Alecto.” You explained, continuing backing up into what looked like just a regular wall. But the greatest thing about ancient buildings such as this was the secret little entrances and exits installed for servants, refugees. Criminals.

“Alecto?” You couldn’t help but huff a small laugh at the slight smirk on his face, the amusement lacing his tone despite your efforts to try and kill him not moments ago.

“Look it up.” Was all you said, before slipping through one of the cracks in the wall the moment he turned around as two other mutants rushed through the archway. You barely caught sight of Scott and the other before you were gone.

“Logan! What the hell? You can’t just go dead like that, what happened to your coms?” Storm ranted before falling silent, panic entered her eyes as she registered the state he was in. “What… what happened to you?”

Logan looked back to where he’d last seen you, finding an odd kernel of relief to see you’d completely vanished into seemingly thin air. “I found our gal. Put up a good fight. Slipped out when she heard ya comin’ and I was immobilised.” He shrugged nonchalantly as if he hadn’t just let the very same killer they’d come here to hunt slip away.

“She– wait, she?” Scott asked, clearly having recovered from whatever Alecto had done to him.

“Yeah, she,” he nodded, before sighing heavily. “Look, no point in standin’ round here ‘n chattin’ about it. Charles is gonna wanna know what I know.”

“And what is it exactly that you know?” Scott asked, suspicion lacing his tone, his arms folding across his chest almost in accusation. Logan rolled his eyes.

“A helluva lot more than you, Slim. Let’s go.”

#wolverine x reader #logan x reader #logan howlett x reader #x men logan #logan howlett smut #logan smut #logan howlett #logan x reader smut #logan x you #logan howlet smut #logan howlett x you #logan howlett fanfiction #wolverine x you #x men wolverine #the wolverine #wolverine smut #the wolverine x reader

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h50europe · 3 days ago

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BUCK / TOMMY - HELL HATH NO FURY LIKE A FANDOM SCORNED!

I did some thinking. Never good, but my brain can't wrap around the breakup that came out of the left field.

Recently, it was announced that a spin-off of "9-1-1" is in the works. While no locations have been finalized, Hawaii and Las Vegas have been suggested as potential settings. The showrunner is already working on the project, with filming set to begin in March 2025.

However, one of my biggest fears has come true: the focus of the showrunners is being diverted from the current show to concentrate on this new spin-off. All the energy runs in the new project. Also, at this point, we don't know if the mothership will be renewed. Without an early renewal, we must wait until May for the announcement. That is another reason why they are focusing on the new show. I wonder if this is why the plots feel rushed and repetitive. It's nice to revisit the past, but not ad nauseam. 9-1-1 does it too often lately. What's the point in bringing back Gerard and turning him into the butt end of a joke? What's the point in digging out Abby's Tommy and hanging it around Tommy Kinard's neck when nothing was ever mentioned in the past. The focus is clearly not on the current show. It feels like Tim abandoned the ship to board a new one. It's fresh, it's crisp, it leaves room for a lot of things. Even if the breakup was meant as a shocker. If your focus is somewhere else, you don't see it. Right now, the mothership is leaking and starting to sink. If Tim keeps his focus on the new project and isn't invested in the current show, the lights will go out sooner rather than later.

Bringing in an established character was probably the biggest mistake Tim could have made if he wasn't meant to stick around. Bring in Mary Sue or Marty Stu to be a LI but not a character with a history that connects to so many people on the show. You can't sideline them forever. Especially as Buck's bi-arc was announced as something big. And it was big. A bit too big to be treated the way it was. The fanbase that had built around TEVAN, or BUCKTOMMY, within weeks, was massive. It drew so many members of the queer community into the show. Suddenly, many of them felt seen. Tommy and Buck were different from the other queer characters out there. Different from what was represented on any other show. People were willing to watch to get the slightest glimpse of them. Because they felt real. Their chemistry shot into the stratosphere.

And then you go and end it on such a horrible note? I don't care if the haters call Tommy a plot device. Everyone on the show is one at some point—even Christopher, Eddie, or anyone else from the main or recurrent cast, Karen, for instance, the Wilson kids. You name it. Tommy Kinard came, saw and conquered. So why not give him more room? They did it with Taylor (yes, I know JLH was pregnant then, but that's reason enough? I doubt it). As I said in my other long post, you could cut in a sequence of 5 minutes and show a summary of Tommy's and Buck's life.

Tim makes the same mistake as many showrunners do. Cramming a shitload of plots into 42 minutes of airtime. Is it really necessary to tell that many stories in such a short amount of time? That feels like speed dating. You blink, and you miss an important scene. Every episode, you jump from plot A to B to A to C to B. We didn't have this fast pacing in season 1 or 2. Stop it. Make Quality plots over quantity stuff.

In Tommy's voice: And for God's sake, clean up that mess you created with that shitty breakup, or the audience will wither away.

I'm sorry. I could write a book about what is happening in my head. You'd get Super Brownie points if you made it here.

#Bucktommy #tevan #911 on abc #evan buckley #tommy kinard #oliver stark #lou ferrigno jr #tim minear

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the-silver-peahen-residence · 2 days ago

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Megumi felt his face darken hearing this. How the hell does this guy live even after all this? It was sick and wrong. However, he was worried about his plan to use her to get others here.

"....." She didn't move seeing him finally let her chin go, moving away as she tries struggling again to get free but the damn chains were tight around her wrists. After the two times he used rope, he used chains to stop her from getting out.

"Anyway...the body does provide a good substance for a soul. All I need to do is to use the remains of the soul, remnant and put it into an animatronic under my control. I never thought I had this kind of power before" Metal Zilla shrugs his arms as he picks up a pizza cutter from the table. "This place is great! The kids are a pain in the ass since I started working here." The man is wearing a long light brown trenchcoat with a hoodie, he has long sleeves. Daichi can't see his face thanks to the mask he's wearing. But his voice is so full of himself.

"......"

"But they do make great resources! Easy to take and easy to corrupt! But now I feel like I need to move on to the adults! But it's hard to get some but one. The good thing is...I'm going to use that shitty security guard! Zilla is good for something besides singing."

"*Muffled grunting while struggling again* Mfffmmm!!!"

"Anyway...I gotta get back to work!" He said. "I still have about 5 more bodies to work on before getting their souls out. But who knows? If you behave I Might let you out...just kidding! You are going to be good and lure your so called friends here. I'm sure you'll be happy to see them again." he smiled.

"So...what do you have to say about that?" he asked to look at her but Miko said nothing feeling him sigh. "Here, why don't you speak right and tell me?" he asked reaching to lower the gag as she gasps coughing.

"..Hmm?"

"I think your t..terrible! How could you! Your nothing but a creep and murderer to those poor kids! What did they even do to you!?" she shouted.

"EVERYTHING! THOSE BRATS DESERVED IT AND IF YOUR ANGRY ABOUT IT GET OVER IT!" he shouted. "I deserve to get what I want even if it means killing someone else!" he glares at her. "Even if it means torturing someone else.." he said showing the pizza cutter near her cheek. However, she looks quiet for him to sigh.

"You don't get it though..I'm doing this for a reason..now...I'm sure whoever sees this will be happy your safe....why not say something?" he asked but Miko looks up at the camera.

"Guys! If your seeing this; don't come down here! I'll be fine! Please, you don't want to come down here!" she said but he laughs finding her funny.

"Oh what a joke you are Miko-chan!" he snickered but as he leans in about to almost cut her cheek seeing the cutter cut her skin drawing blood. "Why not say more?" He teased.

However, she quickly knees him hard in the stomach hearing him groan henching over. She begins struggling more working on trying to get out before seeing Anaconda. He was trying to break the chains again.

"Anaconda!" she was looking to him hearing the other coughing before he growls getting mad. "!?...Anaconda, run! Get out of here and warn the others! Tell them not to come here!" she said seeing him not wanting to leave her.

"I'll be okay. Just go!" she said before she tires using her strength to break the chains only to see Anaconda rush out away as she sees the other growling to stand up.

"WHY YOU BITCH!" he shouted to hit Miko hard as she coughs wincing a bit. "Tch....I'll have to have them look for that thing. But in the meantime....*faces Miko angry*..since you wanna be a brat! I'll have to punish you again for it!" he said cutting her free but saw her trying to run only for him to pick her up over his shoulder.

"LET ME GO!! LET ME GO!!" she shouted kicking but he keeps carrying her away. "LET GOOOOO!!"

"Once I deal with you..it's back to work but lets work on that mouth of yours!" he shouted as she screams kicking before the door slams shut behind him leaving Miko's screams before they were fading away leaving silence.

The roars and the shouts are heard before it becomes silent as something is heard shut. A door. Muffled shouts are heard before laughter is heard, "With this, I can make a new animatronic! Thanks to those brats, I can collect enough agony to make more of these things! It's thanks to that stupid owner who wouldn't give up. Hell, they brought in some damn brats..." Said a figure. It sounded male.

Megumi didn't like that at all. What was he planning to do?! Make more of the animatoric but it sounds like he would make it more danger and disturbing where it might get even worse. He saw Miko struggling but she glares at him while still moving.

"Oh well...I just need to move and leave this dump. Not before bringing more brats in here!" He cackled. "I just need to use those dumb robots and a helper to bring them here."He said.

Someone came into view, he wore a grey Zilla mask, this one looked metal as it had yellow eyes. He looks at Miko, "Tell me...I wonder which of your friends will get here first. The girls, the boys, or that brother and sister! Who knows! It makes the game fun, doesn't it?"

"......" Miko still tries to struggle but he sighed to look at her.

"Now now, don't struggle. You'll hurt yourself like that. I can't let a fresh offering get ruined." he said only to hear more sickening crunch noises to see himself. Miko saw blood on him but also saw the animatronic show up but it was coated in blood along with holding a bloody axe.

Right away Miko's face pales a little. "Though, again, we just begun the game..I'm sure you'll have loads of fun..won't you? Besides, I still didn't forgive you for that kick earlier after you escaped twice. TWICE!" he shouted as he slams the axe above her head almost cutting her hands but missed.

"With your wrestling moves and all that punching and kicking. That hurt you know. BUT! I forgive you for it." he pouts to grip her chin forcing her to look at him.

"I mean after all....I had sooooooo fun making sure you didn't do it again." he said glaring at her but Miko kept looks at him seeing the bloody axe near by.

"So lets see if we can have more guests show up...but you'll be fine won't you.." he smiled petting Miko's head while she was still struggling hoping she can break free again.

"But lets see...maybe you can lead your friends here for me! You can be so helpful and I know I can get them trapped.." he giggled but Miko shook her head furiously not wanting that. He looks to her but he only glares seeing the mask up close that she stares into his glowing yellow eyes.

"Don't you fucking say no to me...you're lucky I didn't kill you.." he said as she was quiet. "Just because you got lucky, I'll be sure you don't...so unless you want me to cut that pretty little head of yours..behave." he warns.

#IC #rp reply #short rp thread #silver roses #halloween mission start #fnaf inspired rp #jujutsu kaisen au #yuji itadori #the cursed vessel/jujutsu sorcerer of the damned #megumi fushiguro #shadow jutusu sorcerer/chimera snake #chunibyo-x-sorcerer

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questions-about-blorbos · 2 days ago

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With all the proship stances you've been making recently I just wanted to put my two cents in:

I feel like the reason proshipping gets the reputation it has is because of apps like tiktok where younger people hear a term, water it down to the absolute max and then apply it to nearly everything they dislike, and people make it way worse than it actually is

"Fiction affects reality" is the most used stance i see and to some degree they are right but. Holy moly two characters doing immoral things to eachother isn't gonna change the world, especially when its a situation where you can choose to see it or not

If you really don't wanna see that thing then block and move on, it isn't that hard

(For the record i am not an anti or a proshipper i think labels for ships are dumb: i mainly agree with everything you have said and I do not personally enjoy stuff like noncon or pedophilia in fiction, just to give you an idea)

to be fair, the “proship” and “anti ship” have been one of the most famous fandom discourses way before TikTok was even created.

and I believe that if people do terrible things in real life because of something they saw from a piece of media then chances are they were already troubled and they would have done those terrible things anyway whether or not they consumed that media, as @allthingswhumpyandangsty said before, people do bad things in real life because they are bad people. a movie, a tv show, a book or a fanfic doesn’t make someone do bad things.

no one starts murdering and eating people in real life because they like Hannibal. so the term “fiction affects reality” is a very weak stance because while fiction can affect reality, fiction alone isn’t going to make someone eat people in real life because that someone is a big fan of Hannibal. my point is, yes, fiction can affect reality. but it’s not going to affect reality to the point the entirety of people’s moral compass change. and if it does get to that point then the real issue would be that these people were already troubled. not because they watched a tv show where the main character is a cannibal.

also, yes, the block button is your friend. see something that makes you uncomfortable? that’s what the block button is for. harassing people for liking fictional things you hate just makes you a shitty person in general who values the lives of fictional characters who are not real over the lives of real people.

#admins answer #blorbo #comfort character #proship #pro ship #fictional characters #fandoms #fandom discourse #fandom discussion #hannibal #fandom police

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disaster-j · 2 days ago

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What really pisses me off is people insisting the break-up doesn't make sense as its own thing when it's so clearly in-character for both of them

Buck has been in a serious relationship with a man for six months but hasn't said the word bisexual. We only know that's His Label bc Oliver Stark calls him bisexual outside of the show. Buck has had what seemed to be a perfect fairytale relationship with Tommy bc Tommy made him feel so safe and comfortable and taken care of that he just let everything else about his coming out journey kinda simmer on the back burner.

And, hey, there's nothing wrong with taking your time with that. But considering the scene at dispatch where he still couldn't talk about his sexuality in concrete terms, clearly he hasn't processed it much, if at all. Buck is the guy who dives deep into research at the slightest opportunity, him knowing so little about queerness and queer culture six months into a serious same-sex relationship isn't just out of character but a clear sign that he simply hasn't done any work to explore his sexuality for himself outside of his relationship with Tommy. Whether the writers intended for it read like that or not doesn't matter very much, bc that's exactly what I'm seeing here.

And, again, that alone as a reason to break up with someone is extremely shitty but that's also not what happened.

Tommy clearly has a history of isolating. He's been hurt a lot in the past, we don't need to know the details to know he's a deeply wounded man who spent most of his life guarding his own heart from the world. He told Buck and the audience over and over again, "I look confident. I look sure. I am comfortable. But it took hard work. I wasn't like this before. This is new. This is good but this is scary. I'm working on it I'm working on it I'm working."

He can see that Buck views him as something more, something better, than he thinks he is. Buck loves Tommy, Buck was infatuated with Tommy. Tommy was this perfect guy in Buck's eyes. And that scared Tommy. It intimidated him. But he kept going bc it wasn't a big deal and he could always remind Buck that hey he's just a guy, a guy who had done things wrong for a long time. But Buck never fully grasped it either. Likely bc of how good Tommy made him feel, he struggled to fully grasp that things with Tommy couldn't always be so perfect and good and safe.

They don't talk about that but they keep going bc they like each other bc they're falling in love bc until that six month mark they were both still fairly distracted by how good it felt to be together to really, seriously consider the ramifications of ignoring those not-so-little things they didn't want to face right then.

And then suddenly it's been six months and they're clearly both in love and they're both clearly not ready to be acknowledging that at all. It's been six months and they're just trying to match each other's pace but have never talked about what that pace actually is and then suddenly they're talking about how Tommy used to be engaged to the woman who taught Buck what a real relationship meant and they still aren't even ready to acknowledge they're in love but Buck is already asking to move in together and talking about marriage and they haven't even said i love yous and Buck can't even utter the word bisexual out loud but he wants to jump into living together and fusing their lives together.

But he's not ready for that. As far as Tommy can see he's not ready for that. And if he's asking for something so big when he can't even say the word love then maybe, in Tommy's mind, he'll never truly be able to say it. Maybe they'll keep going like this. Living together and being together but Buck can't face his sexuality as its own thing and Tommy can't face how his trauma affects their relationship and eventually it'll be too much and maybe Buck still wouldn't want to say it and Tommy would push him away like he pushes everyone away and then they'll be right back to that moment, weeks or months or years later, with Buck wanting more but not able to say those words and with Tommy wishing he'd left before it hurt so much.

And sure it hurts to leave now but at least now he's early. Now, Buck hasn't wrapped himself around every piece of his life. Just his heart. At least now he'll hurt but he won't have to move just to get rid of the scent of Evan Buckley perpetually lingering in every corner of his home.

Buck loves Tommy so much he can't imagine a future without him. Tommy loves him so much he can't imagine a future where he gets to keep him.

The break-up makes all the sense in the world. It just doesn't make sense that the break-up wouldn't force them to work on their respective issues and bring them back together stronger in the future.

#bucktommy #911 abc #this is an angsty ass will they wont they slow burn endgame in my mind #and if the show fumbles such a perfect romance arc that's on them for being morons #but as far as I'm concerned they're each other's forever #they're just not ready for forever yet

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lackablazeical · 3 days ago

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Yall started interacting with my alastor design again so I got the urge to fix up the design for my warm up 😩 imma yap abt the design under the cut so feel free to see that⬇️⬇️⬇️⬇️

ALSO pls don't yap abt how u hate/love Vivzie, I do not care 🙏 I pinky promise you every person ever is a shitty person she's just ur bias

OKAY so first. Colors. In my original design I also used greyscale, but for this version I got rid of the red entirely. Eve would neverrr let him match colors with hell, plus I feel that him not having any color makes him a bit more uncanny

For his clothes I went for a 1930s pinstripe suit. While I think the original frill makes his silhouette much more interesting, it isn't very time accurate, and I think Alastor would be very 'frozen in time' with his fashion. So I made it straight and neat, along with the (almost baggy) dress pants of the time. A simple hat too, to hide his... completely exploded head yk

For his demon form, I wanted him to look almost Zombie-ish. His death was getting shot/mauled by hunting dogs, so I incorporated that a TON. His body is falling apart and rotting under him, and while he doesn't bleed, his wounds always look shiny and only partially congealed. Also the lack of organs give him that snatched waist :)

For his head wound, it is kinda a play on 'having his mother's eyes' and the sayings, 'only a face a mother could love'/'not even a face his mother could recognize'. It blinds him and horrifies him, as I HC that Alastor takes extreme pride in his appearance, so the complete gorishness of his hell-form drives him bonkers

Also, his cane is bc his 'deer legs' are more like legs chewed to bits, which also gives him a limp bc of that, which he tries to cover. I think Alastor would Hate any open display of percieved weakness, such as being blind, his limp, or being a fragile rotting body, so he goes to great lengths to hide it (and uses Eve's powers to cover it too)

He would be based off a white tailed deer specifically for markings also :) and he's always polite, doesn't curse, and doesn't engage in pettiness with Vox or Lucifer bc that pisses me off in show. Like doesn't make sense to me idk like what

#vivziepop hazbin hotel #hazbin hotel alastor #hazbin hotel #hazbin alastor #hazbin art #hazbin hotel art #hazbin redesign #hazbin rewrite #hazbin hotel fanart #hazbin hotel redesign #alastor #hazbin drawing

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seitmai · 2 days ago

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Three paces into the hallway, brown wood floors and white walls, you’re met with a smiling family picture. Only, you’re not in it. Because, it’s not a picture of Pete’s family. Pete doesn’t have a family. Pete Mitchell has a daughter from a one night stand with a married woman.

Uff 😬

The nickname stings you. Your name isn’t Mitchell because your biological father had wanted it to be. It’s Mitchell solely because your mother’s husband knew you weren’t his and would rather die before letting you take his name.

Damn

Your throat is thick with the knowledge that all you knew Maverick to be, is now all that he’ll ever be. An absent father, a fantastic pilot, a lousy cook. A thousand more things that you’ll never know.

To know that you don't know a lot and will never know more is rough...

It’s been almost two years since you even set foot in this house last. If you had known that Maverick was going to be gone this soon… you sit and think to yourself about if you would have maybe visited more. Probably not.

Sometimes being honest to oneself is not easy

He stares down at the pizza between the two of you as he chews through a bite, brows drawn together slightly. He hates thin crust pizza — it’s the worst kind of pizza. But, when you had suggested it, he had agreed with a tight-lipped smile.

Hey, nobody slander thin crust there are far worse kind of pizza ☝🏻

“I’m sorry.” Bradley blurts out. You both look across at each other, equally surprised that he has spoken. “…For what?” You ask quietly, lips tugging into a small frown. “I’m sorry that I’m here and he’s not.” He’s just got to say it. He knows you probably wouldn’t bring it up on your own, but there’s a big elephant in this room. Bradley knows what it’s like to sit in your spot, and not know how to talk about it.

God they are lowkey awkward together and neither of them just knows what to do with themselves 🥴

“We weren’t that close.” You tell him, like that’s supposed to make him feel better. It doesn’t. It’s like a blow to the chest. You’ll never get the opportunity to fix things, because of him.

I feel like this maybe hurts Bradley more than her..

Your teeth press into the inside of your cheek. Maverick hadn’t ever described Bradley as this nervous.

👀

Nothing. A couple of beers and a block of good German cheese.

I mean it could be worse lol🤷🏻‍♀️

“Uh... No, not really.” After a routine training presentation at the very beginning of their attachment, Admiral Simpson had once become so agitated by Maverick that he snapped his own reading glasses in half. Mav got a good laugh out of it, at least.

At that I would have laughed too 🤭

It’s an easy answer, rolling off of your tongue with a shrug of your shoulders and a deflated sigh. “People usually put us in the same boat — if they don’t like him, they don’t like me.”

That's really shitty, especially knowing Mav's reputation 🥴

That’s something that he thinks he can understand. There’s not an instant dislike, but there’s a pity that he finds in the eyes of people who once knew his father.

At that they really share a bit of similar fate

Her boots hit the ground, your lips parting slightly as you realise that she’s headed right for you. Bradley feels your arm tug in his grip and turns his head, taking note of the way you’re trying to shrink behind him. Lynn is a hugger by nature, and she was a good friend of Mav’s for a long time. She means well, but Bradley isn’t going to let her touch you when he can see how unnerved it makes you.

Good thinking Bradley, nothing worse than an unwanted hug by a stranger 🫣

You check back over your shoulder, glancing briefly at the man behind you, who has assumed his best bodyguard impression.

I'm sure he does 🤭

“Miss Mitchell,” The admiral takes his seat on the other side of his desk once again. “I want to first express my deepest condolences. Your father was a good man, and a… extremely skilled pilot.” Bradley almost scoffs. Even now, Cyclone can’t manage to compliment him.

It seems his feeling run deep 😬

“But— he’s dead.” You frown, rendering Cyclone suddenly quiet. “He’s got to be. It’s been a week. No food, no water, sub-zero temperature. What’s the point in looking?” Bradley grits his teeth. He looks across at you, the muscle in his jaw ticking. There’s nothing in your expression, no fear or sadness. Your father deserved more than that. “The point is to bring him home.” He bites from your side, staring straight ahead at Cyclone.

This is rough... I get her questioning the process, it's not something that someone is usually confronted with..

You’re biting at the inside of your cheek so hard that you must be tasting copper, picking at the seam of your jeans and breathing like you’re trying not to cry.

🥺🥺🥺

“I— fuck. I don’t want to be here. I-I— I’m going to have to find a job, and I’ll have to call my mom, and— and my friends, and—“ “Hey,” Bradley mumbles, resisting the instinct to throw his arms around you. His brows draw together as he reaches out and squeezes your bicep, bending his knees so he can catch your eye. “It’s alright. I’ll take care of it.” You know that he’s just trying to be nice, but really, you’re sick of nice. It’s all that Maverick ever was and it left you with no idea of who he really is.

She has every right to be angry, upset and sad even if he really just ries to be nice, this is just not a good situation anyway and with the news of the investigation it just got SO MUCH worse🥴

He nods, closing his mouth, swallowing dryly. Thinking of what he can, feasibly, take off of your plate for you. The idea sparks in him. “You need a job. I can get you a job. Um, your friends, we can call them and bring them down for a weekend?” He squeezes again at your bicep, nodding his way through his plans, trying to will the tears in your eyes not to spill over.

I like that he is thinking practical!

“I don’t want to go back to his house.” It comes out as a whimper, and really just reminds Bradley that you’re in the same position that he was when he was just a little younger than you. It’s a scared kid type of feeling, being all alone in the world. Being in an empty house had made it even worse. He licks his lips and glances towards the skies, watching the sun pass behind a cloud. “You could stay at my place, for a night or two.”

Just a night or two, sure 😏🤭

Ashes, Ashes | One | Bradley Bradshaw x Reader

masterlist | prologue | next chapter

Synopsis: In which Maverick didn’t make it home after the Uranium mission. He’s missing, presumed dead. There are things that have to be done — someone has to take care of the house, the bills.

So, Maverick’s daughter is back in Fightertown for the first time since she was in elementary school. There’s a gaping hole in both of their lives now, and somehow, the world’s supposed to just keep on turning without him.

Warnings: mitchell!reader, no physical descriptors other than the implication that Bradley is taller, no use of YN, age gap (23/33), smut, angst, hurt / comfort, mentions of character death, mourning, military inaccuracies. This entire fic and my blog is an 18+ space, minors do not interact. Do not repost.

…

Crossing the threshold into Maverick’s home doesn’t come naturally to either one of you. This place is something that you had both left behind. Outgrown. It’s solely his. It’s not your home and it has never been, until now. Now, you’re stuck here until things are figured out.

On that fourteen hour drive down to San Diego, you had a lot of time to think. How long is a person supposed to wait for a body to turn up before they go ahead and throw the funeral without it?

Three paces into the hallway, brown wood floors and white walls, you’re met with a smiling family picture. Only, you’re not in it.

Because, it’s not a picture of Pete’s family. Pete doesn’t have a family. Pete Mitchell has a daughter from a one night stand with a married woman.

This picture is of a real family. Hung on the wall opposite the front door is a picture of Nick and Carole Bradshaw holding their infant son. He’s bald and gummy. They’re grinning and showing him off like a prize trophy — so proud of him even though all he did in those days was drool and pee himself.

These days, their infant son is up to more important things. Their infant son grew to an upsettingly grand height and is carrying two of your bags in one hand behind you today.

“C’mon, Mitchell — these are heavy.” Bradley huffs softly from behind you, reminding you that you’re standing stationary and blocking his path.

You shrug your duffel bag closer to your body and turn left. Bradley huffs under the weight of your luggage from behind you, watching you walk your cute butt in completely the wrong direction. “Wait, where are you going?”

Not struggling at all under the weight of your single duffel bag, you turn slowly to face him and frown slightly. “My room.”

You don’t remember Bradley. Not in your own memories, anyway. You know he was around, you’ve seen him in pictures but the image in your head doesn’t match. Not quite right. Like puzzle pieces bent and forced together.

He’s taller than he looked at his high school graduation, which sits pictured and framed above Mav’s mantle. Older, but that’s to be expected. Up close, he looks more like his mother than his father. A slight bump in his nose and scars, nicely healed, but jagged and raised nonetheless dusted his cheek and his throat.

Even with all those differences, there’s a familiarity to him that makes this all feel a little bit less suffocating.

Bradley’s brows draw together. He gives a small nod in the direction of the spare room. “That’s… I usually stayed in that room.”

“Oh.” You hum. With Bradley being ten years your senior, the room was his long before it was yours. With him growing up so close by, it was probably his much more frequently than it was yours. It’s not like you kept anything here anyway. It’s just a guest room that you would occupy every now and again.

There’s a brief quiet between you.

“I just figured you could take the big room. ‘Til you get settled. I’ll go home once your car is fixed, if that’s what you want.” Bradley adds on. That sad little look on your face is killing him.

The big room. The loft room upstairs. You’re pretty sure that you’ve never even been upstairs in this house.

“You’re staying too?”

Oh. Yeah. He hadn’t addressed that point yet. Truthfully, he hadn’t even been planning to stay. He hasn’t even packed an overnight bag. But, from the second that you stepped out of the car and looked up at the house with that look on your face, he hadn’t even considered leaving you here alone.

“Just ‘til we get your car fixed,” He offers with a small shrug. “I’ll be here to run you around until then.”

Like he’s doing this for your sake. Natasha has her own life to get back to and Bradley can’t stand the thought of going back to his apartment alone.

“Okay,” You agree, turning to peer down the hall towards the spare room. It’s nothing special — it really never felt like yours. “Alright, I’ll take Pete’s room.”

Pete. You call Maverick ‘Pete’ now.

Bradley just nods, shifting the weight of your bags and nodding for you to head for the stairs. All the floors in this house are tan oak. The entryway is now herringbone. With the help of a friend, Pete had done the entire thing himself.

Of course, as you walk silently across it, neither one of you would know that. Neither one of you was speaking to him last May, which was why he had needed a project in the first place.

Natasha’s outside on the phone. Bradley’s footsteps thud on the wood of the stairs behind you, following you up. You stop at the top, leaving just enough room for Bradley to stand there behind you.

The door to Maverick’s room is open. His bed is made. There’s a book thrown on top of it, the spine cracked and used, the pages yellow from years out in the sun.

“No way is he still trying to fucking finish War and Peace.” Bradley steps around you with your bags in his hands and heads straight for the book. Pete started this book before Bradley finished elementary school. Bradley twists and looks back at you. “He always gets bored and stops reading, then forgets his page and starts again.”

Another slow nod. One foot in front of the other, your shoes along the tan oak floors. Your fingers trail the white walls. Maverick wouldn’t have minded. This place was always messy before. It’s not now.

This house is vacant and quiet, but it’s far from empty. It’s filled to the brim, practically pulling apart at the seams with everything that Maverick was and planned to be. He was finishing War and Peace — he made it to chapter 253 this time; further than he had ever made it before.

Four days of knowing, a fourteen hour drive down here, and it’s a book that stings like a cold slap to the face, reminding you of why exactly it is that you’re here.

Fire burns behind your eyes, blistering and stinging as Bradley sets your bags on the floor with a soft thud.

He turns with his attention completely on the book, his fingers extending towards the peeling cover of the paperback. His fingers curl around its weathered pages and he lifts it tenderly, examining the front at first.

It’s too early to start this process bawling your eyes out, and you refuse to let Russian Literature be your downfall, again. That thick feeling sits in your throat like a stack of weights as you sit down on the end of Maverick’s bed. The mattress is soft, taking your weight without a squeak of complaint. Maybe he finally listened to you and got a bed that wasn’t so harsh on his back.

“I’ll change the sheets and stuff, then I’ll get out of your hair for a bit.”

Lifting your head, you blink at him. He has already started to pull back the comforter and strip the bottom sheet from the bed, awkwardly forcing you onto your feet again.

Mobile once more, you turn slowly to take in your surroundings. This is Maverick’s room. It’s his house, you were prepared for that much — but this is his room. The last thing you want is to be alone in it all night.

“Oh. Sure,” You nod, setting into motion to help take the sheets off. You watch him instead of what you’re doing.

He’s so methodical about it, like none of this phases him at all. But then, you’ve not seen how he has been for the past few days. “I was thinking of just ordering food tonight, since I’m kinda tired — and Pete never had groceries. Would you want… to maybe join?”

“Sure.” Bradley nods, tugging the pillows out of the cases. He glances up to you with a strictly polite, neutral smile. Quiet settles between the two of you until the bed is just a bare mattress and uncovered pillows.

There’s a moment of total stillness between the two of you. Your gaze flickers up, meeting his, and the realization settles between the two of you. Maverick’s favourite cologne was a French thing that some woman in the eighties had liked. Citrus in the shade of cypress wood. The scent fills the room like he’s standing between the two of you.

Bradley glances down at the white sheets in his hands. The snowy white peaks of those mountains, Maverick’s aircraft spiralling into them, engulfed in flames. In a sick way, Bradley hopes that he didn’t manage to eject. At least then, it would have been instant. Maverick wouldn’t have felt anything.

You watch his adam’s apple bob in his throat from the other side of the bed. The last you had heard, Mav and Bradley weren’t on speaking terms. You wonder if this is as weird for him as it is for you.

“I’ll put these in the washer. You can… unpack, or whatever.” He decides finally, already taking one step backwards, headed for the door. You stand there, blinking at him. Even with those steeped, broad shoulders, he makes it through the doorframe unscathed before he turns to check where he’s going.

He probably knows this house inside and out, just like he knew your dad. Once.

When it comes to wracking your brain and trying to remember Bradley Bradshaw, you can’t ever come up with anything. Maybe a glimpse, here and there. A blue t-shirt with green stripes. His school backpack accidentally left in the backseat of Maverick’s convertible beside your shoddily installed car seat.

Truthfully, your experience with Bradley Bradshaw is limited. He’s just as real to you as any of the other guys in the stories you grew up hearing about. Your very own Peter Pan is downstairs right now, trying to figure out Maverick’s ancient washing machine, just so that he doesn’t have to stand up here and stare across at you.

He can’t hide from you forever, though. Evening comes, and so does hunger.

Natasha has gone home. It’s just the two of you. Sitting in this unchanged, all too familiar kitchen. You’re barely unpacked. You set up a couple of things in Maverick’s bathroom, but it doesn’t feel right to be in the big room upstairs. That wasn’t ever your space to claim.

You chew absentmindedly at the bite you had taken. The TV in the living room is off. The record player is coated in a layer of thin dust already. It’s dead quiet. The kitchen light is dim above your heads.

There’s a chip in the corner of the table on Bradley’s side. It’s there because Bradley was running through this kitchen when he was four years old and had tripped and knocked his front tooth out right here. His thumb trails the tiny mark, wondering how his teeth had ever been that small.

Wondering why you aren’t angry with him, too.

Maverick had picked him up that day, turned him around and held Bradley while he cried, stemming the blood and quickly introducing the concept of the tooth fairy. He had done all that he could, and Bradley still found a way to resent him for what had happened to his own father.

Bradley hasn’t ever done a thing for you. Except maybe pay for this pizza. And here you are, calm as can be.

The sauce base feels tangy and coppery, and the cheese makes him want to puke. He sets the slice down on his plate and wipes his hands on the paper towel beside him.

Finally, he lifts his head and looks at you. Your hair is up now, tucked out of your way after an afternoon of manual labour upstairs. You’re wearing a stretched out old t-shirt. Bradley assumes you got it from a boyfriend.

Really, he doesn’t think you look that much like your old man. He would really have to search for the resemblance. But, briefly, when you offer him a polite smile across the table, he knows that you’re Mav’s kid.

“I’m sorry.” Bradley blurts out. You both look across at each other, equally surprised that he has spoken.

“…For what?” You ask quietly, lips tugging into a small frown.

“I’m sorry that I’m here and he’s not.” He’s just got to say it. He knows you probably wouldn’t bring it up on your own, but there’s a big elephant in this room. Bradley knows what it’s like to sit in your spot, and not know how to talk about it.

It’s his fault that Maverick didn’t make it home.

You stop chewing. That last bite sits in your mouth, doughy and dry all of a sudden. You stare across at him, awkwardly making yourself swallow down the last of your bite of pizza and picking up the paper towel to wipe at your mouth.

But, he knows what it’s like to be told how to grieve. He just dips his head and nods awkwardly. “Right.”

“I got a call from an admiral the other day,” You pick up the slice of pizza and pick at its toppings. There’s no one here now to tell you not to play with your food. Mav never really cared anyway. Bradley watches you, unhungry. “Invited me down to Miramar. He said he was a friend of Mav’s and that he could talk me through… this whole thing. How it works.” You explain with a shrug.

Bradley rubs a hand over the neatly trimmed hair above his lip. It feels like he has swallowed a golf ball, sitting here like it’s normal to be discussing the measures.

He knows how it works. It won’t be as simple as it was with his own father. At least Maverick had afforded him something to bury. For you, there’s nothing.

“I’ll have to be there around eleven.”

“Sure,” Bradley nods, scratching at the back of his neck. His legs tingle with stiffness. Clearing his throat, he shifts in the little wooden chair and stretches, knocking his foot into yours under the table. “Oh. Sorry. I’m sorry.”

Your teeth press into the inside of your cheek. Maverick hadn’t ever described Bradley as this nervous.

“It’s fine.” You hum, pushing back in your chair and standing up from the table. “Well, I’ve been up since like… four, so I might just hit the hay.”

“Sure.” Bradley breathes out, hands braced on his thighs, eyes focussed on that tiny chip in the corner of the table. “Yeah. Goodnight.”

The downstairs bedroom seemed bigger when he was a kid. The twin-sized bunks on the carrier feel bigger than the wooden-framed bed that Maverick put in here. Bradley’s shoulder is practically hanging off the side, and the old frame creaks with each movement he makes.

It’s not like he would be sleeping much anyway. When he closes his eyes, the only thing he can see is the fireball Maverick’s plane had turned into as it fell.

Bradley’s hunched over the coffee pot by the time that you wake up. He hears you coming down the stairs and straightens up like he wasn’t three seconds from throwing the stupid thing at the wall, clearing his throat and turning around.

It occurs to him that he should have put a shirt on. This isn’t his place. It’s yours, now, he guesses — either way, he hadn’t considered making you uncomfortable. He folds his arms over his naked torso as you stroll into the kitchen, hair mussed and rubbing at your eyes.

You’re wearing big socks and the same big t-shirt you had worn to eat the pizza last night. He can’t tell if you’re wearing shorts or not.

“Morning,” He offers up, making you lift your gaze from busily tapping at your phone. Your gaze lands squarely on his navel — more so, how low his shorts sit on his hips and the way a soft trail of brown hair ventures from there to his bellybutton.

Blinking, you find his face.

“Coffee machine’s broken, we can stop somewhere on the way to base if you like.” He leans down a little bit, like an awkward teenager shrinking away from a family picture. You lock your gaze on his, trying not to glance back down at his muscles.

“Oh. That’s not broken — if you hit it hard enough, it’ll work.” You head right for him, fuzzy socks padding across the floor so softly that it really does startle him when you grab the copy of War and Peace that now sits on the kitchen counter, and slam the book right into the side of the coffee machine.

He whips around as the machine whirs to life. You set the book back down gently, and look up at him. He sets his jaw, brows knitted together, searching your face.

Maverick never taught Bradley anything like that. In fact — Bradley always, always was taught the opposite. You never take the easy way out; if something’s worth fixing, then you fix it right.

Then you, you on the other hand, beat the thing with the heaviest book you can find? He just doesn’t get it.

“Well. Thanks.” He guesses, turning his bemused expression back to the brewing coffee.

He hadn’t been expecting you to do that. Doesn’t take a genius to figure that out, given the way he’s still glaring at the machine. That coffee pot is older than you are, and Mav never taught him that trick?

“So this guy, the one who called me,” You skim your fingers along the cool granite countertop, just to have something to do, “He was the guy calling the shots up there?”

Bradley blinks. He doesn’t know how much you know about the way all of this works. He knew everything there is to know long before he ever enlisted, but that was because he wanted to know.

“Um,” Bradley grabs his mug and takes a step back for you to get yourself one. “He was our mission command so, kind of. He gives orders — but, y’know, everything happens fast, it’s… it’s hard to call the shots from back on the boat.”

“Did he like Mav much?” You ask, head tucked inside the fridge door as you scan for anything to make your coffee a little less black. Nothing. A couple of beers and a block of good German cheese. You swing it shut with a resigned sigh, wondering if you’ll be here long enough to need groceries.

The thought flashes across your mind — what’ll happen to this place when you leave it behind?

“Great.” Agitation creeps into your tone as you curl your fingers around a plain white coffee mug. All of his kitchenware is plain white.

“What?” Bradley tilts his head, trying to catch a glimpse at the look on your face, stuck between whether you’re sad or pissed off.

It’s an easy answer, rolling off of your tongue with a shrug of your shoulders and a deflated sigh. “People usually put us in the same boat — if they don’t like him, they don’t like me.”

That’s something that he thinks he can understand. There’s not an instant dislike, but there’s a pity that he finds in the eyes of people who once knew his father.

He screws his mouth up, shaking his head and reaching for you without thought. His palm claps against your shoulder, platonic and soothing, but the first time he has touched you nonetheless. “I’ll be there. He won’t say a thing.”

Glancing upward, while his palm lingers on your shoulder, your eyes flit across his features. He doesn’t know quite what you’re searching for, or whether you find it. His fingers squeeze softly against your skin before the touch is gone all together.

You drink your coffees in parallel, both subtly miserable in your silence but comfortable in it anyway. It’s difficult to prepare for a meeting like this — you don’t have a clue of what to expect.

Bradley wears black jeans and boots with a plain white t-shirt, which convinces you not to wear the more formal dress you had thought you’d have to wear. You slip into his passenger seat in a skirt and Mary Janes.

He drives a loud, blue vintage Bronco. It sparkles inside and out, and makes your dusty old car look even worse.

Bradley settles behind the wheel to the sound of chilled seventies music, the radio turned low. He drives with three fingers curled around the bottom of the wheel and the other hand resting absently on the stick shift.

Even though he seems calm enough behind the wheel, you watch him chew at the inside of his cheek for the duration of the drive. Gears tick away inside his head. His knee only stops bouncing nervously when it’s time to press his foot against the pedal.

He’s not as good at pretending as he thinks he is; you silently appreciate that he tries, either way.

Bradley, truthfully, spends the entire drive thinking about the last time he was face to face with Admiral Simpson. ‘Son, I’m doing this for you.’ He had sworn, face sullen, uttering the exact same words Pete Mitchell once had when delivering the words that had torn Bradley from him the first time.

Only, Admiral Simpson wasn’t pulling Bradley’s papers — he was just putting him on a month long bereavement leave. His protests had fallen on deaf ears once again, as they had fifteen years ago. He’s now a week into that leave, but it feels like longer.

It turns out that when you cut sleep from the equation, everything feels a lot longer. In his own apartment, his routine has been getting up at 2am after hours of tossing and turning, going for a run all the way down to the docks, coming back and showering, then waiting for the sun to rise.

Last night, he’d been awake in that creaky old twin bed, struck by the realisation that if he spent all night tossing and turning — one, he might actually break the old bed frame, and two, the squeaking of it would definitely keep you up.

All it had taken was the focus of trying to sit still for so long to finally knock him out. It was the best that he’d slept since the mission.

He kind of hopes that it’ll take him a while to figure out something to do with your car; at least that way he’ll be able to sleep at night.

“You ready?” His voice startles you from your daydream, the engine cutting out with a jingle of the keys as he stretches forwards in his seat to shove them into his pocket. “We’re headed just over there.”

“Yeah, let’s get this over with.” You’re stepping down and swinging the heavy door shut before you’re taking your next breath, leaving him to catch up to you.

His long strides have him at your side before long, reaching ahead of you to pull open the glass door to the post headquarters.

This process has already been easier with him at your side. He’d coolly handed over his service ID and greeted the guard at the gate by name, and he stops you from turning sharply down the wrong hallway with a soft bump of his shoulder against yours.

He catches your forearm as you try to blow right past the front desk, his grip loose but firm.

“Rooster.” The woman behind the desk stands up sharply, looking sharp in her service khakis, her entire face creased with a deep worry. She’s older, maybe around Mav’s age. “I heard, I’m so sorry.”

Rooster loosens his hold on your forearm, his lips flattening into a line. He stands up straight, his interaction with the woman nothing if not totally polite. His thumb trails across the bend of your wrist as he nods his head towards you.

“Thank you,” He says softly, seemingly unaware of the way you’ve stiffened in the presence of this woman. “We’re, uh… we’re just here to see Cyclone, Lynn.”

Her warm, brown eyes whip towards you, widening. Recognition floods her features as she pieces together who you must be.

Lynn is a hugger by nature, and she was a good friend of Mav’s for a long time. She means well, but Bradley isn’t going to let her touch you when he can see how unnerved it makes you.

“We’re a little late. I’ll catch you at the O-Bar this weekend?” His fingers uncurl from your forearm and his palm falls flat between your shoulder blades, giving you a gentle nudge and silent permission to avoid her hug.

The woman stops and there’s another polite, departing exchange between the two of them while you continue down the hall.

Bradley catches up to you as you rap your knuckles against the doorframe, fingers trembling when they come to settle back against your thighs.

“Miss Mitchell.” A chair scrapes along the tiled floor, Cyclone’s signature rumbling voice carrying out into the hallway. His boots tap across the ground, his face creased with sincerity and his hand outstretched when he notices Bradley standing behind you. “Bradley Bradshaw.”

You check back over your shoulder, glancing briefly at the man behind you, who has assumed his best bodyguard impression.

Standing tall, his uniform crisp and his greying black hair combed neatly, Admiral Beau Simpson slips his palm into yours and shakes your hand curtly. The sunlight catches on his shining name badge, his face heavy with lines and sharp angles.

Letting your hand go, he then reaches to your right to shake Bradley’s. Bradley’s chest bumps your back as he leans into the handshake.

You step away from him, angling yourself closer to the doorframe. “He just gave me a ride here. Is it okay if he comes in?” You answer.

“Of course,” Cyclone is far more polite to you than he has ever been to Bradley. “Anything you need. Please, take a seat.”

It feels a little bit wrong standing before his boss in jeans, and sitting before him. Everything about this feels a little bit wrong. Bradley rests his chin against his fist.

You sit in the chair beside him, shoving your trembling hands under your thighs, straightening up and trying to look as brave as you can.

It shouldn’t be this stranger sitting beside you in this meeting — your mother should have come with you.

Bradley almost scoffs. Even now, Cyclone can’t manage to compliment him.

“We are forever grateful for his service, and the sacrifices he made on behalf of our country. I understand that this is an extremely difficult time, and I’d just like to say that I’m going to personally make sure that this process is as easy as it can possibly be.”

You blink at him. Jet engines rumble on outside of the window. People bustle on outside of the closed office door.

Cyclone glances towards Bradley.

“When a man is lost in action, our resolve is to initiate a search and rescue effort as soon as possible,” The admiral explains, leaving out the part where that search and rescue effort had been delayed by seventy-two hours after Mav disappeared. “We’ve been working tirelessly, and our efforts to locate your father are ongoing.”

Your brows knit together.

“But— he’s dead.” You frown, rendering Cyclone suddenly quiet. “He’s got to be. It’s been a week. No food, no water, sub-zero temperature. What’s the point in looking?”

Bradley grits his teeth. He looks across at you, the muscle in his jaw ticking. There’s nothing in your expression, no fear or sadness. Your father deserved more than that.

“The point is to bring him home.” He bites from your side, staring straight ahead at Cyclone.

You shoot him a look. When it’s clear that you aren’t going to say anything else, Cyclone clears his throat to continue.

“Miss Mitchell, we do have to prepare ourselves for the other outcome. If recovery efforts are unsuccessful, in two weeks time, he will be listed as formally ‘Missing in Action’. If that’s the case, we will honor him with a memorial service and all of his service records and personal effects

are delivered to you.”

You drag your teeth across your bottom lip, swallowing hard and giving a small nod of your head.

“Okay. Two weeks?”

“This is going to be a longer process,” Cyclone warns you. He’d heard that you had come down specially for this, and he doesn’t want to mislead you about the time frame. “The recovery mission, if unsuccessful, will be suspended in two weeks’ time. After that, we’d like you to be local for the investigation.”

“Investigation?”

“Of ourselves. To ensure that the Navy had performed its due diligence, that kind of thing… I’d expect us to be here for a good few months.” He explains.

After that, it’s like Bradley can see a switch flip for you.

You’re biting at the inside of your cheek so hard that you must be tasting copper, picking at the seam of your jeans and breathing like you’re trying not to cry.

He’s still confused when he’s all but chasing you across the parking lot, listening to you try to control your breathing.

“Hey, hey, hey,” He tries, approaching you cautiously as you crowd yourself against the passenger side of his car. “It’s alright. We’ll get through it, it’s just a couple of months.”

“I— fuck. I don’t want to be here. I-I— I’m going to have to find a job, and I’ll have to call my mom, and— and my friends, and—“

“Hey,” Bradley mumbles, resisting the instinct to throw his arms around you. His brows draw together as he reaches out and squeezes your bicep, bending his knees so he can catch your eye. “It’s alright. I’ll take care of it.”

You know that he’s just trying to be nice, but really, you’re sick of nice. It’s all that Maverick ever was and it left you with no idea of who he really is. “Of what? There’s so much that I have to—“

He nods, closing his mouth, swallowing dryly. Thinking of what he can, feasibly, take off of your plate for you. The idea sparks in him.

“You need a job. I can get you a job. Um, your friends, we can call them and bring them down for a weekend?” He squeezes again at your bicep, nodding his way through his plans, trying to will the tears in your eyes not to spill over.

You sniff, turning your gaze towards the ground. The lump in your throat burns and bobs as you try to swallow it away.

Mav really is never coming back.

He licks his lips and glances towards the skies, watching the sun pass behind a cloud.

“You could stay at my place, for a night or two.”

…

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waywardpandagalaxy · 19 hours ago

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Call me an anti-nationalist but I hate India more than US (I know US is shitty, but I am talking about India). Corruption, Patriarchy, shitty rules, shitty people, I'll be happy if I leave this country.

Girls who want to travel India, don't even think about it. Rape cases are so high that people pull out shitty excuses and even, boys younger than 18 years have started to harass us! Still they're not captured!

"Don't kiss in public!"

"Don't go out at night!"

"No pda!"

"Don't dress like this!"

"Don't dress like that!"

Ugh! I'm fucking done! Even if you break one of these stupid rules, you're harassed by uneducated mobs.

So, I suggest to not visit India, because women are getting raped and harassed and no one is helping; they're blaming the victim.

#radical feminist community #radical feminist safe #radical feminists do interact #radfemblr #radfeminism #radical feminism #feminism #radblr #fuck patriarchy #justice for moumita #moumita debnath #india #desiblr #desi rant #desi blog #kolkata

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arcane-ish · 2 days ago

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Rambling thoughts on Cait's storyline

I thought about doing like an exhaustive analysis of Cait's story in s2Act1 with like pictures and stuff as example. But then I got lazy. I will try to focus on some short notes.

1.) I don't get the vibe that Cait is being manipulative when she pulls away from Vi's touch. I think she's genuinely torn. I can't quite decide whether she's fighting her rising anti-Zaunite rage or on some level realizes what a mess she is and that going for it with Vi right now would be a bad idea. But I don't think she is angling for anything like that, imo she's just struggling with her own emotions. Sidenote: I think it's worth nothing how it mirrors the face touching that Jayce does to Mel.

2.) However, I totally get manipulative vibes from the whole "Cait sang Vi's praises to the enforcers and then her future team member just shows up at Vi's to tell her this". Like either Cait was setting up Vi to join the force (by giving a speech to the enforcers and threatening them with withdrawing funding) without actually asking Vi and/or she sent the enforcer girl to find Vi and tell her that. I dunno, there's just something odd about Caitlyn's multi-cultural task force just coming together like that.

3.) I complained in regards to Jayce's storyline that he is in multiple storylines that don't feel quite connected. And how he moves from one story to the next makes it seem like he doesn't actually care all that much. If I think about it, Caitlyn and Vi are strictly speaking in multiple stories as well (ie apprehending Jinx, Hextech, Ambessa's schemes). But they are getting the royal treatment. It doesn't feel like they are in distinct storythreads because the show connects them. These stories when they are in them still feel like they are fundamentally about Vi and Cait. Because of that it doesn't feel like they are in multiple stories, it's one big ball of story mud of Caitlyn and Vi. Jinx comments on Vi being sweet on Caitlyn. Mel tells Jayce to check on Caitlyn which gives her a chance to talk about Vi, Ambessa's schemes in regards to Caitlyn are meaningful also in part because they might affect how Vi feels about Cait and how likely they are to reunite.

Notice how when Heimer introduces Ekko and Jayce to each other, he doesn't ask what happened to Viktor? Even though that would make sense for his character and would give Jayce a way to voice his theory on why Viktor left and where he is now?

But it never comes up. Because Jayce, Viktor etc are firmly a B story and a result their fates and feelings don't matter to the other characters as much (and in turn means that the characters themselves feel like they don't care as much, while you can't get very far without having it pointed out to you that Vi matters to Cait and vice versa).

4.) I think the scene between Cait and Vi at the pond is intensely interesting. Because Cait says there's three faces she keeps seeing. her mom, Jinx and Vi. Her mom and Jinx are illustrated with a visual, but Vi isn't.

We don't get shown what Vi looks like in Cait's mind. Maybe we can infer that it's like in the beginning, where her world is in black and white and only Vi is in color.

But why not show us? In her visions of her, is Vi smiling? Being a steady rock? Looking at her with concern?

When she talks about her visions of Cassandra and Jinx, she speaks in detail how those make her feel. But with Vi she doesn't. We just have the tone of her voice to infer, but she does not say.

5.) I think it's very telling why Cait wants Vi to come along. Like there are clear tactical advantages to having a Zaunite guide while fighting in Zaun. Vi points this out and as Sevika points out when talking to the barons. But imo Cait asks Vi to come because she feels herself slipping.

She wants Vi to hold her back. Which from a relationship point of view, is kind of shitty, to pick somebody else and try to make them responsible for you not going evil.

(an interesting wrinkle is that when Caitlyn asks why she is indicating that she is scared if she goes after Jinx "one of them will end up in a box", indicating she doesn't want to kill Jinx, but Vi comes to quickly assure Caitlyn that she would be okay with Cait taking the shot on Jinx)

6.) Imo it's interesting that before they kiss Vi essentially tells Cait that she feels like she has nobody left.

And in the beginning it's like Cait also feels like Vi is the only thing that she has left, the only thing that is real.

When even her father is grey and doesn't feel real to her. Except it's not true. Even if Vi is important to her, Caitlyn has people. She has like three different people other than Vi try to reach out and give her comfort.

And that is on top of just via her position in society she has this whole apparatus behind and under her, the enforcers, the council. While Vi has dead siblings, dead parents, dead foster father (to her knowledge), no status within Zaun's society/nobody who cares what decisions she will make, a sister she considers dead and had a falling out with, no friends it seems left back in Zaun (either she never had any of her absence was too long) and for whatever reason she doesn't consider Ekko to be meaningful (maybe their relationship was just to casual, maybe she thinks he will judge her for working with the enforcers, maybe she is too self-hate-y to think she belongs there).

#arcane spoilers #arcane #caitvi #piltover's finest #vi #caitlyn #caitlyn x vi #vi x caitlyn

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jokey05 · 2 days ago

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While I agree that media representation of SA is important and should be treated as a serious matter, people have to understand that the infamous Talia/Bruce plotline was literally three panels that went:

Talia: HAHAHA BATMAN I a ARAB woman knew that you couldn't love me as your other white lady lovers club, so I ASIAN woman put a nodescribeddrugpotion in your drink (even if we were already getting it on)to make the 110th perfect human weapon in DC HHAHAH because I'm EVIL and ASIAN

Bruce:😱😐

And then they never brought it up again. At best it was a excuse to make Bruce a shitty father towards Damian. It was badly written and trust me the writer just wanted it for shock value. Probably didn't even stop to think that it was in fact non con. If you want to talk and defend survivor so much why don't you start with Tara Markov, Sandra Woo-San ,Jade Nguyen and Starfire?

#talia al ghul #bruce wayne #brutalia #Like we are not talking about Invincible level of SA storyline #Not even Nightwing 93 #dc comics #Poison Ivy did the same but y'all aren't ready to talk about it

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keferon · 8 hours ago

Text

Well I just finished improvising chapter one of Mecha AU :D

I recommend you read it on BlueSky because the formatting and redacting there is better but you also can read it all here under the cut

Summary:

Jazz huddles in the cockpit, turns on the comm channel, and habitually ignores the static

“This is 1061. I don't know if you guys can hear me, but I have news. I've found other mechs in space! But..”

He taps nervously on the console panel

“I am not sure they're piloted by humans.”

---------

Jazz isn't sure at what exact moment his life turned into anime completely. It was probably when a huge monster appeared in the sky above his home? Yeah...it must have been then.

The big green thing blew up almost half the city before it was destroyed with so much explosives that the government probably had to empty their pockets to scrape together that much.

In the future, of course, they had to repeat the feat.

And then again.

And again.

Either the government of these monsters had a lot of extra money, or the monsters were free volunteers.

Jazz tried to watch from a distance. Ideally from a place where it would be hard to yank him out. Even with a stick. Even for a massive space monster.

%%%%

If you think about it. This wasn't anime yet. It was more in apocalypse film territory.

The anime started when a smiling man in a surprisingly expensive suit came to Jazz and offered to take a few tests to see if Jazz was suitable for some sort of special earth protection program of his. The pay was suspiciously good, and the list of medical forms was suspiciously long. But last week, a huge shark-like thing had trampled Jazz's last workplace and well...there wasn't much else for him to go to.

The man smiled and looked like a toothpaste advertisement as he shook his hand.

Yeah, the anime definitely started with that.

-----

It's actually amazing how a shitty thing like alien monsters and giant robots can become habitual. Maybe even beloved. Not monsters, of course. No.

But robots? Definitely.

Jazz is one hell of a pilot. One of the best, as his superiors like to say. They don't really have a way to test who's the greatest pilot in the world because the life span of the average pilot isn't usually very long. Jazz doesn't mind. He knows he's good, but he doesn't want to think about how good. Other pilots like to compete for the top of the charts. Numbers, kills, promotions and everything else that goes with it.

Jazz is mostly just vibing.

His early tests don't show very high or impressive potential for compatibility with combat mech technology, but once he's out of the simulator and into the real thing....

Jazz can't explain it. He just feels it. He just stops seeing the dashboard in front of him, stops thinking about how comfortable the pilot's seat is or how to hold the controls.

Jazz gets in the cockpit and stops being human.

Jazz gets in the cockpit and turns into metal and machinery. Rockets and joints. Hydraulics and thousands of sensors.

His hands become huge, able to crush a car. His legs gain new articulations. His body moves in ways completely impossible for a human and it feels so familiar, as if he's always been like this.

It feels like him. Like home.

Jazz isn't interested in promotions because important people aren't allowed to operate mechs. Not allowed to be mechs.

Jazz wants to be a mech.

He's just not ready to trade that feeling for anything else.

————

War gets crazier as time goes on.

Every time Jazz thinks it's going to end now, someone steps on Chekhov's gun in the ceiling.

The aliens aren't going to die out or leave.

Humans refuse to go extinct.

It's a tug-of-war that inevitably leads both sides to think that if they can't win with the ‘pull harder’ method, they should try something new. Something creative.

That’s how Jazz finds himself in the middle of developing a mech capable of travelling through space.

Because whoever is making the decisions up there has decided it's time to get more aggressive and start fighting on more than just their own territory.

The aliens have so far been too comfortable taking advantage of the fact that space is inaccessible to humans. They've always had places to retreat to. Places to hide to lick their wounds. Jazz thinks it makes sense. Sort of. If there's anything left in this world that respects logic.

The development department takes some time and an absolutely obscene amount of money to figure out how to launch a giant robot into space without the human inside it turning to paste.

They show an incredible ability to organize space and play a game of tetris where instead of blocks there are vital systems like air storage and provisions falling from the ceiling.

Jazz, as someone who has been forced to participate in hundreds of their tests and observe their tenacity, is genuinely proud of them.

His pride even overcomes the fact that they have been close to turning him into a paste more times than he is comfortable counting.

They stick him in hundreds of variations of different armor and plating and make him perform the same boring motions a million times to “make sure there's no risk of depressurization”.

Sometimes he's shoved to the bottom of a swimming pool and asked to perform mission simulations without coming out of the water. This is the only part of development that Jazz actually genuinely loves. Swimming is fun when you're metal and don't have to breathe.

%%%%%%%

At the end of the tests, Jazz is left with a hundred or so system upgrades, increased weight by almost half, nice new armor, and added height. His legs now have another joint in them. Some of the pilots complain that it hurts them to even look at Jazz's freakishly bendy legs, but their opinion fades under the weight of delight.

Jazz loves the new joints. New joints mean he can navigate even wackier surfaces now.

For the first official space mission, the superiors choose him without much hesitation.

Space is unfamiliar territory. And no matter how hard you try, you can't fully recreate its conditions without being there. This means that no amount of training and simulations can fully prepare pilots for what will be waiting for them there. They're going to have to adjust. Improvise. Find ways and solutions on the spot.

Jazz is good at that. Exceptionally and impressively good. He also has enough thirst for adventures in him to go along with the idea.

But most importantly, he's undeniably the best when it comes to controlling a battle mech. His ability to “ I don’t know I’m just vibing you know” is envy-inducing and wary at the same time. Mechs are huge and heavy, and in the hands of someone who doesn't fully know what to do, they're pretty damn clumsy.

Jazz is one of the few who can control a battle mech as naturally as his own human body.

In theory that means if he's thrown into a zero-gravity environment, he can handle it just fine. No worse than if he could do it without the mech. Or at least not fail dramatically enough to embarrass the entire engineering department.

Jazz promises to do his best, shakes all the hands necessary for pretty pictures, and uploads a file with simple instructions.

This mission shouldn't be anything too bizarre except for its location. He is warned that a lot can go wrong, but then immediately assured that a whole crowd of experts will be waiting and watching and will respond at his first call.

Jazz politely thanks them and does a few simple movements to make sure all the joints in his legs are working properly.

His boss smiles like he's advertizing toothpaste and promises him a nice big raise if he'll continue to work on space missions.

Jazz somehow manages to forget that this is where anime usually begins.

________________

Things are going very wrong very fast. Most unfairly, for a completely unexplainable reason.

Jazz is quite successful at getting around in space. The lack of gravity is incredibly uncomfortable at first, but he adapts. It takes time to understand the movement, but nothing beyond the plan.

At one point he even has fun. He spots a satellite orbiting the Earth and waves cheerfully at it, hoping it is recording.

He confidently completes the exploration and is about to turn back when something huge and possessing an uncomfortable number of limbs materializes in front of him literally out of nowhere.

He is surprised and a little disgusted, but the monster's appearance wasn't entirely unforeseen. His instructions are simple. Anything larger than an elephant and not a human being must become dead.

A fight with a strange space thing is no problem. The problem is that the thing is losing very quickly and is clearly panicking about it. Jazz is just about to rip another leg off of it when an unidentifiable bright green light flashes around them and suddenly the whole world starts to feel bloody wrong. Space feels like it's stretching and shrinking at the same time. Jazz can't tell if he's feeling the pressure or if he's being torn apart.

He's screaming. Not from pain, but from surprise.

And finds himself standing in the middle of a crowd of similar monsters.

The one he was just about to kill makes some gurgling, panicked noises. The other monsters freeze, either surprised or frightened, it's impossible to tell.

Jazz manages to notice that he's inside some kind of room. His brain finds no suitable alternative for a quick description. He has never been in such strange places before

He doesn't even have time to take a step when there's a muffled click from behind and he's blinded by the green light again.

He doesn't know what to expect when he opens his eyes.

The first time, the strange green light dragged him through every possible sensation in just a couple of seconds, and that was enough to scare the hell out of him.

The second time, it feels like it lasts forever. He tries to look at his watch, but his eyes refuse to work properly. Which ones of his eyes? He doesn't know. One overlaps with the other. He feels terribly tiny but at the same time it's like his body is everywhere at once. Somewhere in the far corner of his brain, flickers the thought that mixing experimental technology with obscure alien magic is a spectacularly bad idea. The amount of things that could go wrong wouldn't fit in any insurance policy, even if they were writing small text under a microscope. Who ‘they’ are, he's not imagining. His boss and his advertising teeth probably.

Jazz clenches his fists, closes his eyes, and tries his hardest to at least just not pass out. The Engineering Department will owe him so much pool time for all of this.

That's assuming he survives long enough to see the engineering department again.

He tries to focus on the simple things.

Everything around him feels like ‘WRONG’.

He can't breathe.

Maybe the urge to stay awake has been overrated.

He's falling.

*********

When he wakes up, the first thing he notices is cold hands on his head.

Someone is gently turning it, probably to examine him.

There are voices above him. He doesn't recognize them and can't distinguish what they're saying.

The palms of the hands are hard. They feel like they're made of metal.

He hears more voices.

For a scary second he worries his brain is broken, but the more he listens the more he realizes it's just another language.

A completely...unfamiliar language. Unlike anything he's ever heard before.

Hands move away and he chooses that moment to open his eyes.

Long time ago, he used to go to all sorts of movie and art fan festivals. There were always a lot of cosplayers trying to outdo each other in the art of character creation.

The picture that meets him is actually a surprisingly strong reminder of those times.

The people crowded around him are extremely colorful. Also quite small compared to his metallic body.

The strange thin lilac creature is saying something. It sounds questioning.

The other lilac creature shakes its head negatively and judging by its intonation redirects the question to someone else.

Jazz tries to figure out if the green light could have made him see things. Because it's unlikely the afterlife looks like this.

Someone very furry peeks out from behind the backs of the lilac creatures and authoritatively pulls out a thing that looks like a regular tablet. They poke at it for a couple seconds and then show everyone in the crowd a picture of some kind of robot simultaneously pointing at Jazz.

The crowd disagrees.

One of them says something poking Jazz with his hand. He wonders idly if it's the same hand. No, it's the wrong size.

The picture changes to a different one.

The effect is the same.

Another round of poking and prodding later, Jazz's fried brain gets it.

They're trying to figure out what he is.

Little colorful things. Probably never seen a robot like this before?

He doesn't have time to process the thought properly when the floor he's lying on starts to shake violently.

The creatures shriek in frustration and Jazz, who until then had been sure he was in some kind of building, suddenly realizes that. Oh, shit. No. The surface is moving.

Is he being taken somewhere???

Jazz looks around in confusion, trying to figure out who it belongs to.

He makes an attempt to jump to his feet and all the creatures crowding around him all start screaming at the same time. He doesn't understand it, but it sounds hysterical, angry and so damn unpleasant to his poor head. Someone shrieks and from somewhere to his left there are sharp clicks and the floor shakes and Jazz wants to go back to the bottom of the pool where it's dark and quiet and

Someone picks him up under his elbows from behind. Not exerting much pressure or holding him down. Just offering support.

A new voice comes from the back of the room. Louder and much lower than all the previous ones and, notably...not from the floor.

And meets the gaze of another giant robot.

__________________________

Side note: to those of you who went to hang out with me while I was writing. Thank you hejdhfngn I appreciate the company❤️

Oh by the way I’m in the process of writing the Mecha pilot au right now you can read if you want :D

#jazz #prowl #jazzprowl #transformers #maccadam #Mecha pilot Jazz au #man…I need a decent name for this au

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